Artist: RAITT BONNIE | Title: sugar mama

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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.



#----------------------------------PLEASE NOTE----------------------------------#
# This file is the author's own work and represents their interpretation of the #
# song. You may only use this file for private study, scholarship, or research. #
#-------------------------------------------------------------------------------#



From marten@sky.net Sun May  4 10:19:54 1997
Date: Wed, 02 Apr 1997 09:57:58 -0800
From: Otto Marten <marten@sky.net>
Reply-To: mail.sky.net@sky.net
To: guitar@olga.net
Subject: CRD: Bonnie Raitt

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Sugar Mama (Daddy)
Delbert McClinton / Home Plate 1975

As recorded by Bonnie Raitt on the album Home Plate 1975

5
Sittin' here worryin'
/                             1
While yer lookin' to find yourself
         /
Somebody else
5                 /
Me lovin' you and wantin' you baby
1                                     /
And you not knowin' what you want yourself
4         /
Why do you treat me so mean
/         /
  Hurt so bad
1                       /
All you wanna do is just sit around and jive
/                        /
You don't even know this woman^?s alive
5
Sittin' here worryin'
/                               1
Knowin' yer lookin' to find yourself

5                 /             1    /
Ain't gonna be no sugar mama no more
5                  /                 1      /
You can't have love when yer keepin' score
4                  /
All you pretty boys used to catch my eye
1                      /
I just want a man I can satisfy
5                /              1      /
Ain't gonna be no sugar mama no more

Sittin' here...
              ....yourself
All you pretty boys...
                    ...no more
Ain't...

(in A; 2=half note, 4=qrt note, 8=eighth note)
intro    88 82 | 88 8 82
         gf#e-   rg f#e-
88 88  |       | 88 8 8 4. | 4 4    4 8   8 | 4888888
rc#dd#  e        rc#d d#e    a /c# /d /d# e


[Number system for any key: in C, 1=C, 2=D-, 3=E-, etc.]
[Bass notes are key scale numbers: in C, 1=C, 2=D, 3=E, etc.]
[Number in parens = vocal notes from key scale: in C, 1=C, 2=D, 3=E,
etc.]

| = bar line; / = play same as previous chord
No bar line = chord gets entire measure's time
Within bar lines chords divide measure accordingly
/^/ = split the beat (ex.:  /^G7 )

transcribed by OtMan Otto Marten marten@sky.net


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