Artist: PRIMUS | Title: frizzle fry
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# From: Primus8@aol.com Music by Primus, Words by Les Claypool __________________________________________________ -------------------------------------------------- "Frizzle Fry" from "Frizzle Fry" __________________________________________________ -------------------------------------------------- Tabbed by Christopher Preston Okay, Les uses a lot of different little things during this one. For the intro, try doing it with three fingers, or two, as fast as you can. The volume isn't too high, so you don't have to pluck them too fast. For the slapping part of the intro, I'm not sure what he does. He either does that, or strummed. He might use some effect pedal, I don't know. Intro: Intro c'td + verse |------------------------|----------|--------------------------|---------| |------------------------|--------7-|*------------------------*|---------| |--555555555565556-etc.--|-/5-2-4-5-|*--555555565555565555555-*|--I 2 I--| |------------------------|----------|--------------------------|---------| Plucked--------------> Slapped-> Plucked---------------> |--------------------|----------------------| |--------------------|----------------------| |--------------------|----------------------| |--2/12------2/12----|-2/12-2/12-2/12-2/12--| Slapped----------------------------------> Chorus: |------------------|-----------------| |---------------6--|-----------------| |-5--5-6h-5---5---5|-5-5-6h-5----5---| |------------------|----------8------| Ending: |---------------------| |*-6-----------------*| |*---6-6-7h-6---6---6*| |------------8---7----| From: js018d@uhura.cc.rochester.edu (Jeffrey Swing) FRIZZLE FRY from Frizzle Fry (updated 5/15/95) ----------- Listening to the CD, I've noticed some chorusing, so if you have a bass chorus pedal, power it up. note: Ram Samudrala at ram@elan1.carb.nist.gov did the original posting of this song, from which I reprint this interlude riff: Intro G------------| D-6----------| do this a couple times and then move the whole A--667h6p-6-6| riff up a minor third (start on the 4th fret on the E--------8-7-| D-string) I suggest playing it starting on the G-string, You can get a better sound that way. Like this: G-|-1--------------------|- D-|---1-1-2h-1p---1---1--|- A-|-------------3---2----|- E-|----------------------|- Here's the way I think the rest of it sould go: P = pop p = pull off V = downstroke strum Intro V G-|----------------------7--|- D-|--7P-0p-0P-----0P-7h--0--|- A-|-------------------------|- E-|-------------------------|- Main riff V V G-|-------------------8---|-------------------7----|- D-|--0P-7P-0p-0P---0P-8---|--0P-7P-0p-0P---0P-7----|- A-|-------------------6---|-------------------5----|- E-|-----------------------|------------------------|- V V V G-|-------------------8---|-------------------5---7----|- D-|--0P-7P-0p-0P---0P-8---|--0P-7P-0p-0P---0P-5---7----|- A-|-------------------6---|-------------------3---5----|- E-|-----------------------|----------------------------|- That's most of it. I haven't been able to make out the break section at 2:41, there's something for me to work at. -Jef -- Jeffrey Swing (the "Swingman") "To defy the laws of tradition, University of Rochester Is a crusade only of the brave" e-mail: js018d@uhura.cc.rochester.edu -Les Claypool phone: (not for the general public)
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