Artist: YANKOVIC WEIRD AL | Title: good enough for now

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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.



#----------------------------------PLEASE NOTE----------------------------------#
# This file is the author's own work and represents their interpretation of the #
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Date: Mon, 25 Jan 93 16:44:26 -0500
From: bsmannin@buphy.bu.edu (Brian Manning)
Message-Id: <9301252144.AA04344@buphy.bu.edu>
To: jamesb@nevada.edu
Subject: Good Enough For Now, by Weird Al Yankovic


Good Enough For Now, by Weird Al Yankovic

This is a basic 1-4-5 kind of thing; play it in the key you feel most
comfortable.  As for me, I like G, so here it is in G:

               G               C              G
Oh, you know I couldn't live a single day without you,
G            G                 C               D
Actually, on second thought, well, I suppose I could.
   G             C                G                 C
Anyway, what I'm trying to say is honey, you're the greatest.
         G           D                   G
Well, at any rate, I guess you're pretty good.

       G               C          G
Now it seems to me I'm relatively lucky,
         G               C                D
I know I probly couldn't ask for too much more.
  C            C              G            C
I honestly can say you're an above-average lady,
       G                D                 G 
You're almost just what I've been looking for.

Chorus:
       G            C            G
You're sort of everything I ever wanted.
           G              C        D
You're not perfect, but I love you anyhow.
C          C               G      C                
You're the woman that I've always dreamed of,
          G                  D               G
Well, not really, but you're good enough for now.

<Insert solo here: violin, piano, kazoo, whatever>

       G               C                G
You're pretty close to what I've always hoped for,
           G               C             D
And that's why my love for you is fairly strong.
      C         C           G         C         
And I swear I'm never gonna leave you darling,
   G                   D             G     
At least til something better comes along.

Chorus.



Brian Manning, bsmannin@buphy.bu.edu





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