Artist: THINGS FALL APART | Title: criminal divinity
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Date: Sun, 4 Feb 1996 09:06:34 -0800 From: tfazappa@ix.netcom.com (Judith L Kinney ) Subject: TAB: Criminal Divinity by Things Fall Apart "Criminal Divinity" by THINGS FALL APART Transcribed by: Aaron Kinney & Janis Klavins Intro: (done with LOTS of distortion and a wah-wah pedal) E--------------------------------------------------------- B--------------------------------------------------------- G--------------------------------------------------------- D--11--10--11-----------------14--16--14---------14------- A--------------12-12--11--12--------------14-14------14--- E--------------------------------------------------------- Here are the riffs for Guitar One: G1/A || C# A E B || This is done with 4 beats on each note and a few holds. During the intro both Guitars do this. G1/B C# C C# A Aflat A E F# B E B Strum this quickly twice after the chorus then palm-mute it fast as hell four times during the verse. G2/A || C# E B A || This is played by the second guitar the same way that G1/A is done. It's only for the chorus. And here's the... er... solo. E------------------------------------17--/--19--- B-------------------------14--/--17-------------- G--6--/--9--/--14--/--16-------------14--/--16--- D-------------------------11--/--14-------------- A--4--/--7--/--12--/--14------------------------- E------------------------------------------------ E------------------------------------17--/--19--/--( )-- B-------------------------14--/--17--------------------- G--4--/--9--/--14--\--13-------------14--/--16--/--( )-- D-------------------------11--/--14--------------------- A--6--/--7--/--12--\--11-------------------------------- E------------------------------------------------------- The structure GOES: Intro G1/A + G1/A (both Guitars, play twice) G1/B G1/A + G2/A = CHORUS G1/B CHORUS G1/A + Solo G1/B CHORUS x2 ..let fade for 8 beats... CHORUS... do this four times... Hold for 16 beats... ***TRIPLE SPEED*** G1/B CHORUS x2 * E's on G1 are played: * B's on G1 are played: G| 9 D| 9 D| 9 A| 9 A| 7 E| 7 E| 7 * E's on G2 are played: * B's on G2 are played: G| 0 G| 4 D| 2 D| 4 A| 2 A| 2 E| 0 E| 2 * F# on G1 is played: G| 11 D| 11 A| 9 E| 9
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