Artist: SLAYER | Title: behind the crooked cross
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Behind The Crooked Cross Slayer Off The 1988 Album South Of Heaven Transcribed By: Mike Bower Tune Down ? Step Words and Music By: Jeff Hanneman Play 10x |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |--2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2--------------| *------------------------------| Rhy. Fig 1 |-------------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------------------| |------3-----2----------------4h5-----3-----2-----------| |--2-2---2-2---2-2-4-2-2-3-2-2----2-2---2-2---2-2-4-2-2-| * * * * * * * * * * * * * * * * * * |----------------| |----------------| |----------------| |--------3-------| |--------1-------| |--3-2-2---------| * * Fill 1 (Gtr1) |----------------------------------| |----------------------------------| |----------------------------------| |--6-----5-------------------------| |---------------7-----6----5-6-5---| |----------------------------------| Gtr2 |----------------------------------| |----------------------------------| |----------------------------------| |----------------------------------| |--4-----3-------------------------| |---------------5-----4----3-4-3---| Gtrs 1&2 |--------------------------------------------------| |--------------------------------------------------| |--------------------------------------------------| |--------------------------------------------------| |--4-----3-----------------------------------------| |---------------4-----5----3-4-3--2-2-2-2-2-2-2-2--| *--------------| 3rd time with fill 1 Solo Riff |----------------------------------| |----------------------------------| |----------------------------------| |----------------------------------| |------4-----4-----3---3-----------| |--2-2---2-2---2-2---2---5-5-4-----| * * * * * * * * * For the ending harmonies, use fill 1, and the last time do this. Gtr1 on top, Gtr2 on bottom. |----------------------------------------| |----------------------------------------| |--6---5---------------------------------| |-----------7---6--5-6-5--4--------------| |--3---4---------------------------------| |-----------5---4--3-4-3--2--------------| contact: guitargod8852@hotmail.com
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