Artist: TRAVIS RANDY | Title: too gone for too long1
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# From pud!psl@bellcore.bellcore.com Fri May 19 18:51:20 1995 Message-Tag: 1831 Return-Path: <pud!psl@bellcore.bellcore.com> Received: from bellcore.bellcore.com by unicorn.acs.ttu.edu (5.0/SMI-4.1) id AA05470; Fri, 19 May 1995 18:51:20 -0500 Received: from pud.UUCP (uucp@localhost) by bellcore.bellcore.com (8.6.9/8.6.9) with UUCP id TAA19797; Fri, 19 May 1995 19:40:26 -0400 Received: by pud.wolfe.net (NX5.67d/NX3.0M-psl940126) id AA26592; Fri, 19 May 95 16:16:20 -0700 Date: Fri, 19 May 95 16:16:20 -0700 From: Peter Langston <pud!psl@bellcore.bellcore.com> Message-Id: <9505192316.AA26592@pud.wolfe.net> Received: by NeXT.Mailer (1.100) Received: by NeXT Mailer (1.100) To: G.Vaughn@ttu.edu Subject: Re: Cowpie News2#05 Cc: Bo Baur <tgtchb@chem.tue.nl> Reply-To: psl@acm.org (Peter S. Langston) content-length: 1726 Some correcrtions on "Too Gone" Here are the chords (key of D) laid out like a chord chart: Verses 1 & 2 B7 % % % (% == repeat previous measure) E7 % % % A7 % D B7 E7 % A7 % B7 % % % D % F#7 % B7 % E7 % A7 % D % Final (half) Verse & Coda B7 % % % D % F#7 % B7 % E7 % A7 % F#7 % B7 % E7 % A7 % D % Or, to put it another way: B7 You've been too gone, for too long, E7 It's too late to come back now. A7 D7 B7 It's been so long since you walked out my door, E7 A7 Now you're just an old song nobody sings anymore. B7 I gotta a new love and she's the true love, D F#7 But darlin' how could you have known? B7 E7 'Cause you've been too gone, for too long A7 D now it's too late to come back home and B7 I had a good cry when you said "Goodbye." D F#7 I didn't wanna let you go, B7 E7 But you've been too gone for too long, A7 F#7 So why don't you just stay gone? B7 E7 You've been too gone for too long, A7 D Now it's too late to come back home. ---------- Peter Langston -- psl@acm.org -- Seattle, WA ----------
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