Artist: MISC CLASSICAL | Title: les jeus interdits
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Date: Fri, 10 Jan 1997 12:10:50 -0800 From: Kaston <kastona@cadvision.com> Subject: TAB: Les Jeux Interdits by <unknown> #---------------------------------------------------------------------# |@Song: Les Jeux Interdits (Romanza Espanol) | |Date: 11/1/97 | |From: Yoni Kaston (kastona@cadvision.com) | |Enjoy! | #---------------------------------------------------------------------# |This is a romantic guitar piece and should be played slowly and with | |feeling, lots of vibrato on the top notes (melody), lots of bass, | |middle notes should be very soft. | |The notes are easy but making it sound good is hard! | #---------------------------------------------------------------------# E-7--7--7--7--5--3--3--2--0--0--3--7--12--12--12--12--10--8------- B--0--0--0--0--0--0--0--0--0--0--0--0---0---0---0---0---0--0------ G---0--0--0--0--0--0--0--0--0--0--0--0---0---0---0---0---0--0----- D----------------------------------------------------------------- A----------------------------------------------------------------- E-0--------0--------0--------0--------0-----------0--------------- E-8--7--5--5--7--8--7--8--7--11--8--7--7--5--3--3--2--0--2--2--2-- B--5--5--5--5--5--5--7--7--7---7--7--7--0--0--0--0--0--0--0--0--0- G---5--5--5--5--5--5--8--8--8---8--8--8--0--0--0--0--0--0--2--2--2 D----------------------------------------------------------------- A-0--------0---------------------------------------------2-------- E-------------------7--------7---------0--------0----------------- Barre to 5th fret / barre to 7th it gets tricky here... Em E-2--3--2--0--0--0---0-||-4--4--4--4--2--0------------------------ B--0--0--0--0--0--0--0-||--0--0--0--0--0--0-5--4--4--4--3--4------ G---2--2--2--0--0--0-0-||---1--1--1--1--1--1-2--2--2--2--2--2----- D----------2---------2-||---------------------4--4--4--4--4--4---- A-2-----------2------2-||-------------------2--------------------- E----------------3---0-||-0--------0------------------------------ fine barre 2nd E-9--9--9--9--11--9--9--7--7--7--9--11--12--12--12--12--11--10---- B--7--7--7--7---7--7--9--9--9--9--9---9---9---9---9---9---9---9--- G---8--8--8--8---8--8--9--9--9--9--9---9---9---9---9---9---9---9-- D----------------------------------------------------------------- A----------------------------------------------------------------- E-7--------7---------0--------0---------0-----------0------------- barre 7 barre bottom 3 to 9 B7 EM EM dc al fine E-9--9--9--9--7--5--4--4--4--4--5--2--0--0--0---0---------------|| B--5--5--5--5--5--5--0--0--0--0--0--0--0--0--0--0---------------|| G---6--6--6--6--6--6--1--1--1--2--2--2--1--1--1-1---------------|| D-------------------------------------2---------2---------------|| A-0--------0-----------------2-----------2------2---------------|| E-------------------0------------------------4--0---------------|| big stretch..ahh! slow strum ---------------------------------------------------------------------- Transcribed by Yoni Kaston ---------------------------------------------------------------------- I hope this helps, you should listen to a recording to get the feel of the piece if you don't know it already. It's very easy once you know the notes, and if played right sounds very nice. Corrections welcome, kastona@cadvision.com ----------------------------------------------------------------------
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