Artist: HARMONIUM | Title: vieilles courroies
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4) with SMTP id <AA24969>; Fri, 5 Feb 1993 12:51:48 -0800 Received: from ireq-robot.hydro.qc.ca by animal-farm.nevada.edu id <AA27331@animal-farm.nevada.edu>; Fri, 5 Feb 1993 12:51:39 -0800 Received: from nelligan.ireq-robot (nelligan.ireq-robot.hydro.qc.ca) by ireq-robot.hydro.qc.ca (4.1/IRBT-2.7) id AA21359; Fri, 5 Feb 93 15:52:13 EST Date: Fri, 5 Feb 93 15:52:13 EST From: Regis Houde <regie@ireq-robot.hydro.qc.ca> Message-Id: <9302052052.AA21359@ireq-robot.hydro.qc.ca> To: jamesb@animal-farm.nevada.edu Subject: VieillesCourroies - Harmonium {title:Vieilles courroies} {st:Harmonium} {define: BM7 1 2 4 3 4 2 -1} {define: C#7/G# 4 0 3 0 3 0 0} {define: DM7 1 2 2 2 0 -1 -1} {define: GM7 1 2 0 0 0 2 3} [F#m] [E] [B] [A] [D] [F#m] [B] [B] [F#m] Un v[E]ieux atte[B]nd ah - [A]- [D] dilaiss[GM7]i - [C#7/G#]- sur un ba[C#7]nc du quartier [F#m] pli[E]i par le ve[B]nt - - -[A] [D] habill[Em7]i [A7]- par ses s[D]entiments -[GM7] Oubli[Em7]i -[A7] par le t[DM7]emps [GM7]- [DM7]ah [GM7]- [D] Vieilles [G]courroies [D] ent[G]re ses doigts [Em7] quelques mid[A7]ailles et quelques cr[Em7]oix qui l'ava[A7]ient sauvi du fr[DM7]oid che[GM7]val de boi[DM7]s rjv[GM7]e d'autrefois [Em7] dicor[A7]i d'bge et de so[Em7]ie qu'il nous off[A7]re chaque foi[DM7]s [GM7] ah [Em7]ah [A7]ah [A/G] [F#m] Un v[E]ieux atte[B]nd ah - [A]- [D] souria[GM7]nt - [C#7/G#]- ` la v[C#7]ue d'un passant [F#m] L'it[E]i achevi[B] - - [A]- D Oy-est-i[Em7]l? [A7]- on le sa[D]vait bien [GM7]- Ramen[Em7]i [A7]- par le te[DM7]mps [GM7]- [DM7]ah [GM7]- [D] Vieilles[G] courroies [D] en[G]tre ses doigts [Em7] quelques mi[A7]dailles et quelques cr[Em7]oix qui l'av[A7]aient sauvi du f[DM7]roid ch[GM7]eval de bo[DM7]is rj[GM7]ve d'autrefois [Em7] dico[A7]ri d'bge et de s[Em7]oie qu'il nous of[A7]fre chaque foi[DM7]s [GM7] ah [DM7] [G] [BM7]
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