Artist: CALAMARO ANDRES | Title: crimenes perfectos
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <!-- saved from url=../../..\(0065)http:\\www.atame.org\a\andres_calamaro\crimenes_perfectos-2.shtml --> <HTML><HEAD><TITLE>ATAME: Andr?s Calamaro/Cr?menes perfectos</TITLE> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="Octavio Medina" name=Author> <META content="MSHTML 5.50.4611.1300" name=GENERATOR></HEAD> <BODY vLink=#c0c0c0 aLink=#ddaa44 link=#d0d0d0 bgColor=#000000><!- LOGO ATAME, BANNER ADFORCE -------------------------------------------> <TABLE height=60 cellSpacing=0 cellPadding=0 width="100%" bgColor=#0 background="../../..\ATAME Andr%E9s Calamaro-Cr%EDmenes perfectos_archivos\andres_calamaro" border=0> <TBODY> <TR height="100%"> <TD vAlign=top align=middle width=225 bgColor=#000000><IMG src="../../..\ATAME Andr%E9s Calamaro-Cr%EDmenes perfectos_archivos\atame7.gif" border=0></TD> <TD vAlign=top align=right width="100%" height="100%"> <!-- This tag should be placed in all categories in the 468x60 size space --><IFRAME marginWidth=0 marginHeight=0 src="../../..\ATAME Andr%E9s Calamaro-Cr%EDmenes perfectos_archivos\adengine.htm" frameBorder=0 noResize width=468 scrolling=no height=60> <SCRIPT LANGUAGE="JavaScript" SRC="http://ads.admonitor.net/adengine.cgi?F4726|1001|1|jscript|C|||"> </SCRIPT> <NOSCRIPT> <A HREF="http://ads.admonitor.net/clicktrack.cgi?F4726|1001|1|image2|C|||" TARGET=_top> <IMG SRC="http://ads.admonitor.net/adengine.cgi?F4726|1001|1|image2|C|||" BORDER=0 WIDTH=468 HEIGHT=60></A> </NOSCRIPT> </IFRAME><!-- End of adMonitor v3.0 rich content tags --></TD></TR></TBODY></TABLE> <HR> <TABLE width="100%"> <TBODY> <TR> <TD width="50%"><FONT face=Arial color=#f00000 size=+0><B>Andr?s Calamaro<BR><FONT color=#ffc000 size=+1>Cr?menes perfectos <BR><FONT color=#cccccc size=-1>Andres Calamaro<BR></B></FONT></FONT></FONT></TD> <TD vAlign=top align=right width="50%"><A href="http://www.atame.org/a/andres_calamaro/crimenes_perfectos-2.txt"><IMG src="../../..\ATAME Andr%E9s Calamaro-Cr%EDmenes perfectos_archivos\texto.gif" border=0></A> </TD></TR></TBODY></TABLE> <HR> </B><FONT face=Courier color=#d0d0d0 size=3><PRE>+ Servidor FTP de la Universidad de Leon + + ftp://est.unileon.es/pub/musica/acordes/esp/ + +++++++++++++++++++++++++++++++++++++++++++++++++ [INTRO: A E F#m D Bm E ] Sen[A]tiste alguna vez [E] lo que [F#m]es, te[D]ner el [Bm]coraz_n [E]roto? Sen[A]tiste a los a[E]suntos pen[F#m]dientes volver, [D]hasta vol[Bm]verte muy [E]loco? Si re[D]sulta que s_, si po[E]dr_s entender lo que [A]me pasa a m_ esta [F#m]noc he ella [D]no va a volver y la [E]pena me empieza a cre[A]cer a[F#m]dentro la mo[D]neda cay_ por el [E]lado de la sole[A]dad y el do[F#m]lor [Bm] [E] [A]Todo lo que ter[E]mina, ter[F#m]mina mal... [D] [Bm]poco a [E]poco [A]y si no ter[E]mina se conta[F#m]mina mal [D]y eso se [Bm]cubre de [E]polvo me pa[D]rece que soy de la [E]quinta que vio el mun[A]dial setenti[F#m]ocho me to[D]c_ crecer viendo a mi [E]alrededor para[A]noia y do[F#m]lor la mo[D]neda cay_ por el [E]lado de la sole[A]dad, otra [F#m]vez [Bm] [E] [A]No me las[F#m]times con tus [Bm]cr_menes per[E]fectos [A]mientras la [F#m]gente indife[Bm]rente se da [E]cuenta [F]De vez en [G]cuando sola[C]mente sale [Am]afuera la [E]peor madera [SOLO: A E F#m D Bm E] x2 Si re[D]sulta que s_, si po[E]dr_s entender lo que [A]me pasa a m_ esta [F#m]noc he ella [D]no va a volver y la [E]pena me empieza a cre[A]cer a[F#m]dentro la mo[D]neda cay_ por el [E]lado de la sole[A]dad y el do[F#m]lor la mo[D]neda cay_ por el [E]lado de la sole[A]dad, otra [F#m]vez la mo[D]neda cay_ por el [E]lado de la sole[A]dad... [F#m] ------------------------------------------- Este archivo ha sido creado por Diego Rodriguez Perez (dierodper@apdo.com) ayudado por Alfredo Celadilla (aie@a01-unix.gsyc.inf.uc3m.es o aie@gti.uc3m.es) Cualquier modificaci_n o sugerencia ser_ bienvenida.
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