Artist: MARILLION | Title: made again2
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Made Again Intro & Verse (repeat x 4) |---------------|------------------|------------------|---------0-----------| |9-----9--9---9-|--7---5---4---5-4-|--4-----5---4-----|--0------0------0-2--| |---------------|----4-------------|----4---------4---|----2----2-----------| |--9--------9---|------------7-----|------------------|------2--2-----------| |7---7----------|--4-----4---------|--2---2---2-----2-|--0------------------| |---------------|------------------|------------------|---------------------| Middle section |-----------------------------|-------------------|---------------------| |--9------10-----14-----17----|--16-----16-16-----|---------------------| |-----------------------------|-------------------|---------------------| |-----9------9----------------|-------------------|---------------------| |--7------9------12-14--16-14-|--14-14-----14-----|---------------------| |-----------------------------|--------0----------|---------------------| Repeat verse x 2 but note alternative ending prior to 2nd middle section ---|---------0------|--------------------|-----------------| ---|--0--------4----|--4-------5---4-----|--4-----5---4----| ---|----2--------4--|----4-----------4---|----4---------4--| ---|-----2----------|--------------------|-----------------| ---|--0------0------|--------------------|-----------------| ---|----------------|--4-----4----4----0-|--2---2---2------| Repeat middle section but this time with extended ending shown below |-----------------------------|---------------------|--------------------| |--9------10-----14-----17----|--16-----16-16----16-|--14-----14-14--14--| |-----------------------------|---------------------|--------------------| |-----9------9----------------|---------------------|--------------------| |--7------9------12-14--16-14-|--14-14-----14-------|--12-12-----12------| |-----------------------------|--------0-------0----|--------0------0----| ---------------| --16-----16-16-| ---------------| ---------------| --14-14-----14-| --------0------| Repeat Verse x 1, pause, then play chord progression and repeat to end E maj F min B maj add 5 A maj add 9 |0-------------|-2----------------|-0-----------------|-0-------------------| |0-------------|-2----------------|-0-----------------|-0-------------------| |1-------------|-2----------------|-4-----------------|-2-------------------| |2-------------|-4----------------|-4-----------------|-2-------------------| |2-------------|-4----------------|-2-----------------|-0-------------------| |0-------------|-2----------------|-x-----------------|-x-------------------| Chord progression may vary in particular chord positions
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