Artist: GRIER DAVID | Title: angeline the baker
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Date: Sat, 06 Jan 1996 09:56:47 -0500 From: markklan@1stresource.com (Mark Klan) Subject: TAB: Angeline the Baker by David Grier ANGELINE THE BAKER - Flatpick arrangement adapted from David Grier's Freewheeling CD - Composed by Stephen Foster - Capo 2 and play in guitar key of D (Key of E) - 4/4 time; Grier plays it at about 220 beats per min. (quarter note = 1 beat) - Syncopated feel and strong accents on beats 1 & 3 of each measure - Suggested fingering shown for measure 7 (tricky) Pick-up measure N/C | | | | |-----------------| |-----------------| |---------------0~h~ |---------------0-| |-----------------| |-----------------| Part A D D D G/D 1 | | | | 2 | | | | 3 | | | | 4 | | | | |-----------------|-----------------|-------------0---|-----3-----3-----| |---------3-------|-----3-----3-----|---------3-------|---------3-----3-| |~2-2-4---2---2-2-|-4---2-------4---|-2---4---2-------|-4-----4-----4---| |*--------0-------|-0---0-----------|-0-------0-------|-0---------------| |*----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| fingering: (33 1 3~3 2 1~3 2) 1.______________ D D D D 5 | | | | 6 | | | | 7 | | | | 8 | | | | |-------------0---|-s-5--s--------0-|-s-5--s----------|-----------------| |---------3-------|57---7~5-3-------|57---7~5-3-----3-|-------3------h--| |-2---4---2-------|-----------------|-----------2~4---|-2---2---2---2~4*| |-0-------0-------|-----------------|------------h----|-0---0---0---0--*| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| 2._______________ D 16| | | |hh |-------------023-| |-------3---------| |-2---2---2-------| |-0---0---0-------| |-----------------| |-----------------| Part B D D D G/D 17| | | | 18 | | | | 19 | | |hp | 20 | | | | |-5---2---0-----0-|-2-0-------------|-5-5-2---020-----|-------3---3-3---| |-------------3---|-----3--h--3-----|-3-----------3---|-------3---3-3---| |*----------------|-------2~4---2---|-2---------------|-4---4-----4-4---| |*----------------|-------0-----0---|-0---------------|-0---------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| 1.______________ G/D G/D D/A D 21| | | | 22 | | | | 23 | | | | 24 | | | |hh |-5---2---0-----0~h~2-0-------------|-------0-2-0-----|-------------023-| |-3---3-------3---|-----3-----------|-----3-------3---|-3---3-3-3-------| |-0---0-----------|---------4---4-4-|-2-4-----------4-|-2---2-2-2------*| |-0---0-----------|---------0-------|-----------------|-0---0-0-0------*| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| 2.______________ A (to start over) 32| | | | |-----------------| |-------0---------| |-2-------2-----0~h~ |-2-------2-----0-| |-0-------0-------| |-----------------| Comments or corrections welcomed: Mark Klan, Knoxville, Tennessee markklan@1stresource.com December 1995 --=====================_820965407==_--
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