Artist: ADAMS RYAN | Title: new york new york 2
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# New York, New York - Ryan Adams D.H. Dilbeck email me if you find more ryan adams at dancingmonkey999@hotmail.com Close enough - corrections encouraged 4/4 time (four dashes = 1 beat, each bar has extra dash at start for readability) Strum freely (and a lot) THE FIRST PART: Verse (hammer on's here and there) A Dsus9 D A , . , . , . , . , . , . , . , . ||-x-x-----x-x-----|-x-x-----x-------|| ||-0h2-----2h3-----|-2h3-----2-------|| ||-0h2-----2-2-----|-2-2-----2-------|| ||-0h2-----2-2-----|-2h4-----2-------|| ||-0-0-----0-0-----|-0-0-----0-------|| ||-x-x-----x-x-----|-x-x-----x-------|| THE NEXT PART: Repeat first bar twice (like it says) E A Dsus Ddim Dsus Ddim , . , . , . , . , . , . , . , . , . , . , . , . ||-x-------x-------||-x-------x-------|-x-------x-------| ||-0-------2-------||-3-------3-------|-3-------3-------| ||-1-------2-------||-2-------1------h|-2-------1-------| ||-2-------2-------||-0-------0-------|-0-------0-------| ||-2-------0-------||-0-------0-------|-0-------0-------| ||-0-------x-------||-x-------x-------|-x-------x-------| E A Dsus Ddim Dsus E7 , . , . , . , . , . , . , . , . , . , . , . , . ||-x-------x-------||-x-------x-------|-x-------x-------| ||-0-------2-------||-3-------3-------|-3-------3-------| ||-1-------2-------||-2-------1------h|-2-------1-------| ||-2-------2-------||-0-------0-------|-0-------2-------| ||-2-------0-------||-0-------0-------|-0-------2-------| ||-0-------x-------||-x-------x-------|-x-------0-------| THE END PART: Ending (combination of D,A,E,G) Asus7-11? resloves to A at end Bass is mainly D and A Try one of these: |-3-| |-5-| |-5-| |-3-| |-5-| |-3-| |-5-| |-8-| |-3-| |-8-| |-2-| |-7-| |-7-| |-2-| |-7-| |-2-| |-5-| |-5-| |-0-| |-5-| |-0-| |-5-| |-5-| |-0-| |-7-| |-x-| |-5-| |-5-| |-x-| |-5-| I like this one - stick in a hammer once in a while to relieve ennui Plain A at the end A? A? A7 A ||---5-||---5--5--5-| ||---5-||---5--5--5-| ||-6h7-||-6h7--6--6-| ||---5-||---5--5--7-| ||---7-||---7--7--7-| ||---5-||---5--5--5-|
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