Artist: MITCHELL JONI | Title: edith and the kingpin
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Edith And The Kingpin - Joni Mitchell ----------------------------------------------------- From the album 'Hissing of summer lawns' Tabbed by Howard Wright H.Wright@astro.cf.ac.uk The tuning for this is (low to high) : D A E G C E or in Joni notation : D 7 7 3 5 4 (See 'joni_tunings' file for more about her notation) Chord shapes used : ---------------------- DAEGCE DAEGCE DAEGCE DAEGCE DAEGCE 055555 777777 888000 555555 556555 Dm7 Em7/A Bb6/9-5 Dm7/G Gm11 DAEGCE DAEGCE DAEGCE DAEGCE 333000 779977 002220 002020 Fmaj7sus2 A9 Dadd9 Dadd9add4 I still havn't convinced myself 100% whether she uses the Dm7/G chord AND the Gm11 chord - they're almost identical. In fact I think she just uses the simpler shape (i.e Dm7/G) - but if you like the variation you can use both shapes. I'm going to be lazy again and not write out all the words (I can't remember many of them) - but I'll write out a few phrases I can remember so you know where the changes come. Here are the main progressions : Intro : -------- Bb6/9-5 Em7/A Dadd9 Bb6/9-5 Em7/A The outtro uses the same three chords repeating over and over. Verse : ------- Dm7 Em7/A Bb6/9-5 The big man arrives disco dancers greet him Dm7/G Bb6/9-5 Plain clothes cops greet him small town big man, fresh lipstick glistening Dm7 Em7/A Bb6/9-5 Sophomore jive beating frantic and snowblind Dm7/G Dadd9 Dadd9add4 Romantic and snowblind he says his crime belongs Bb6/9-5 Em7/A His eyes hold edith his left hand holds his right Fmaj7sus2 Bb6/9-5 Em7/A A9 Em7/A A9 What does that hand desire that he grips it so tight If I've mixed up words from several verses then forgive me ! As long as you see how the chords fit the words/tune then it should be easy. Enjoy ! Howard
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