Artist: MICHAEL MARRA | Title: neil gows apprentice
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# From: eermih@dct.ac.uk "Niel Gow's Apprentice" by Michael Marra Transcribed from MM's album "On Stolen Stationery". At the end of this file, I have included guitar TABs for two sections of the song: the 4-bar intro between verses and the fiddle solo during the instrumental verse. The fiddle solo is played mostly with a half-barre at fret 2, which might seem strange but it makes it easy to play it in another key, which you will have to unless you have a gravelly voice like MM. Chords in the verse are the same as the chorus. Comments/amendments etc. welcome. A E A A . . . . . . . . . . . . . . . . A E E7 A D A Oh, no more will I rove no more, it's over A E E7 A D A Oh, no more will I rove no more, it's done D D I'll sit beneath the fiddle tree Bm E with the ghost of Niel Gow next to me A E E7 A D A Listen Niel, the apprentice has begun. A E A A . . . . . . . . . . . . . . . . An old man looks at his ingle nook and he wonders His brother in a foreign land, he must remain. Deeved about the life they choose, they each would wear the other one's shoes, this mother-land is a source of constant pain. <Chorus> A E A A . . . . . . . . . . . . . . . . <Instrumental verse: see TAB at end> Rumbling Brig, I heard your music calling In the outback still I heard your song Feeding from a foreign field with far more fish than the Braan could yield, this trip will be my last and it won't be long. <Chorus> <Chorus> A E A A . . . . . . . . . . . . . . . . TABS 4-bar intro: A E A A E---------0-------|-----------------|-----------------|----------------- B-2-----3-----2---|-0-----2-3---0---|-2-----3-2-------|----------------- G-----------------|-----------------|-------------2---|----------------- D-----------------|-----------------|-----------------|-2--------------- A-0---------------|-----------------|-0---------------|----------------- E-----------------|-0---------------|-----------------|----------------- . . . . . . . . . . . . . . . . Fiddle solo, instrumental verse A E A A E-----------------|-----------------|-----------------|----------------- B---------------2-|-----------2-3---|-2---2-3-2---2-3-|-2--------------- G-------------2---|-4---4-2-4-----4-|-----------------|---4-2----------- D-2---2---2-4-----|-----------------|-----------------|-------4-2------- A-----------------|-----------------|-----------------|----------------- E-----------------|-----------------|-----------------|----------------- . . . . . . . . . . . . . . . . A E A A E-----------------|-----------------|-----------------|-------2--------- B---------------2-|-----------2-3---|-2---2-3-2---2-3-|-5---5---5-3-2--- G-------------2---|-4---4-2-4-----4-|-----------------|---------------2- D-2---2---2-4-----|-----------------|-----------------|----------------- A-----------------|-----------------|-----------------|----------------- E-----------------|-----------------|-----------------|----------------- . . . . . . . . . . . . . . . . D D Bm E E-----------------|-2---2---2---2---|-----------------|----------------- B-3---3-2-3---3-5-|-------5-------5-|-3---3-2---------|-2---------2-3--- G-----------------|-----------------|---------4---4-2-|---4-4-2-4-----4- D-----------------|-----------------|-----------------|----------------- A-----------------|-----------------|-----------------|----------------- E-----------------|-----------------|-----------------|----------------- . . . . . . . . . . . . . . . . A E A A E-----------------|-----------------|-----------------|----------------- B-2---2-3-2-----2-|-----------2-3---|-2---2-3-2-------|----------------- G-----------4-2---|-4---4-2-4-----4-|-----------4-2---|----------------- D-----------------|-----------------|---------------4-|-2--------------- A-----------------|-----------------|-----------------|----------------- E-----------------|-----------------|-----------------|----------------- . . . . . . . . . . . . . . . . ________________________________________________________________________ Malcolm Hannah (eermih@dct.ac.uk) Dundee, Scotland
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