Artist: CANNIBAL CORPSE | Title: hammer smashed face
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# From: abx@dcs.ed.ac.uk (Andrew Birkett) Okay, here is 'Hammer Smashed Face' by Cannibal Corpse. It's a bit difficult to hear the guitar at some bits (!) so I'm not claiming that it is perfect. Please send any corrections to abx@dcs.ed.ac.uk. --------------------------------------------------------------- Hammer Smashed Face - Cannibal Corpse Transcribed by Andrew Birkett 1994 Riff 1 Riff 1a Riff 2 ~~~~~~ ~~~~~~~ ~~~~~~ I----------------I I----------------------I I----------------I I----------------I I----------------------I I----------------I I----------------I I----------------------I I----------------I I----------------I I----------------------I I---------5-5-4--I I-2--2--2---6\---I I-------------------6\-I I----------------I I-0--0--0---6\---I I-0-0-0-0-0-0-0-0-0-6\-I I-0-0-2-2--------I PM-----+ PM---------------+ Bass solo ~~~~~~~~~ I-----------------I I-------3---------I I-2---2---3---3---I I---0-------1---0-I Riff 3 Riff 4 Riff 5 ~~~~~~ ~~~~~~ ~~~~~~ I----------------I I----------------I I------------------I I----------------I I----------------I I------------------I I----4-----------I I----------------I I------------------I I----------------I I----3-----------I I------(p.h)-------I I2-----2-3-------I I-2----2-3-------I I--------1---------I I----------2-0-1-I I----------2-0-1-I I-2-3-2-----0------I PM-------+ PM-------+ Fill 6 ~~~~~~ I---------I I---------I I---------I I---------I I------2--I I--3-2-0--I PM----+ Riff 7 - The main chorus bit, and the one that people recognise! ~~~~~~ I-----------------------------I------------------------------I I-----------------------------I------------------------------I I--------------------2--------I------------------------------I I-2h5p2--1h4p1--4-4--0--------I--------------------3---------I I---------------2-2-----2-1---I--3h6p3-2h5p2--5-5--1---------I I---------------------------3-I---------------3-3-----3-2-0--I PM--+ PM--+ Riff 8 - the second chorus riff ~~~~~~ I-----------------------------I I-----------------------------I I-----------------------------I I---------------------(p.h)---I I--2h5p2--1h4p1---------1-----I I----------------2h3p2-----0--I Riff 9 Riff 10 ~~~~~~ ~~~~~~~ I-------------------------I I-----------------I I-------------------------I I-----------------I I-------------------------I I-----------------I I-------------5-5-5-------I I-----------------I I-------------------4-4-4-I I-2-2--4---2-2--4-I I-0-0-0-2-2-2-------------I I-0-0--2---0-0--2-I PM--+ PM--+ Riff 11 - The slow grinding one ~~~~~~~ I-------------------------------I On the original, the two guitars do I-------------------------------I a trill as indicated by the 4343434. I-------------------------------I But, if you just play the 2 on the I----------43434343-------------I bottom string and give it a lot of I--2-2-2--------------------7\--I vibrato is sounds kinda similar and I--0-0-0---2~~~~~~~----1-1--7\--I is a lot easier to do. PM---+ PM-+ And here's how to put it all together... The introduction ~~~~~~~~~~~~~~~~ Riff 1, played 3 times then riff 2. Riff 1a, played 3 times then riff 2. Riff 1a, played 3 times then riff 2. Then for the last few bars, pick the open E string fast with palm muting. The bass solo ~~~~~~~~~~~~~ The verse ~~~~~~~~~ Riff 3, played 4 times Riff 4, played 4 times Riff 3, played 4 times Riff 5, played 8 times Chorus ~~~~~~ Fill 6, once Riff 7, played twice Riff 8, played 4 times Fill 6, once Riff 7, played twice. The rest of it ~~~~~~~~~~~~~~ Riff 5, played 8 times Riff 1, played 3 times Play this 4 times: Riff 9, played 3 times then Riff 10 once. Riff 4, 4 times Riff 3, 4 times Riff 5, 8 times Chorus, as above Riff 5, 8 times Riff 1, 3 times. Riff 11, 12 times. Then come the two chorus riffs, 7 and 8, but with drastically altered timing. Listen to the recording, and you should see what I mean. Riff 8, 4 times Riff 5, 8 times Riff 1, 3 times Then an abrupt finish on E5. Enjoy! Andrew -- [ Andrew Birkett . 'Personified hope, ] [ abx@dcs.ed.ac.uk . In a figure ideal ] [ p94011@cplab.ph.ed.ac.uk . Trapped in a hell, ] [ Fidonet: 2:259/57 . Unseen flames you can't feel' ]
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