Artist: EMERSON LAKE AND PALMER | Title: the sage
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Date: Thu, 12 Dec 1996 07:10:24 +0000 (GMT) From: Wolfgang Hammer <Wolfgang.Hammer@post.rwth-aachen.de> Subject: TAB: "The Sage" by Emerson, Lake & Palmer The Sage - Emerson, Lake & Palmer From "Pictures at an Exhibition" Transcription & tabbing by Wolfgang Hammer (wolfgang.hammer@post.rwth-aachen.de) , . , . , . , . , . , . , . , . |-------------0------------|-------------0------------| |----------0-----0---------|----------0-----0---------| 4|*------5-----------5------|-------5-----------5------| 4|*---2-----------------2---|----3-----------------3---| |-0------------------------|-0------------------------| |--------------------------|--------------------------| 1.I car- ry the dust of a I are yes- ter- day's share of my breath and my , . , . , . , . , . , . , . , . |-------------0------------|------------<5>-----------| |----------0-----0---------|---------<5>--------------| 4|-------5-----------5------|-------5------------------| 4|----2-----------------2---|----3---------------------| |-0------------------------|-0------------------------| |--------------------------|--------------------------| jour- ney that ans- wers the subs- tance and , . , . , . , . , . , . , . , . |-------------0------------|-------------0------------| |----------0-----0---------|----------0-----0---------| 4|-------5-----------5------|-------5-----------5------| 4|----2-----------------2---|----3---------------------| |-0------------------------|-0------------------------| |--------------------------|--------------------------| cannot be shaken a- earth of the past come to ming- le our streams and our , . , . , . , . , . , . , . , . |-------------8--7----11/12|12------------------------| |----------7-------10--7/-9|-9------------------------| 4|-------8------------------|--------------------------| 4|----7---------------------|--------------------------| |--------------------------|--------------------------| |-0------------------------|--------------------------| way flesh times , . , . , . , . , . , . , . , . |----------0--1--0---------|----------0---------------| |-------3--------------1---|-------0-----0--------0---| 4|----2---------------------|--------------------------| 4|-0------------------------|----2--------------2------| |-------------------3------|--------------------------| |--------------------------|-4--------------4---------| It lives deep with- E-ro-ded by time's In___ bright infinite , . , . , . , . , . , . , . , . |--------------------------|-------------0------------| |----------0-----------0---|----------0-----0---------| 4|-------5-----------5------|-------5-----------5------| 4|----2-----------3---------|----2-----------------2---| |-0------------------------|-0------------------------| |--------------------------|--------------------------| in me for I ri- vers to the mo- ments our , . , . , . , . , . , . , . , . |----------0--1------------|-------------0------------| |-------3------------------|-------------0------------| 4|----2---------------------|----------1---------------| 4|-0------------------------|-------2------------------| |--------------------------|----2---------------------| |--------------------------|-0------------------------| breathed it ev'- ry day shapes we now possess reasons are lost in our , . , . , . , . , . , . , . , .Fine |----------1---------------|-------------0------------| |-------1-----1------------|----------0---------------| 4|----4-----------4-----4---|-------5-----------------*| 4|-3-----------------3------|----2--------------------*| |--------------------------|-0------------------------| |--------------------------|--------------------------| 2. 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Da Capo al Fine |-------------0------------|-----0--------------------| |----------0-----0---------|----0---------------------| 4|-------5-----------5------|---5----------------------| 4|----2-----------------2---|--3-----------------------| |-0------------------------|-0------------------------| |--------------------------|--------------------------| 3. Come
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