Artist: MARILLION | Title: jigsaw
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Received: from post-office.nevada.edu (post-office.nevada.edu [131.216.1.11]) by redrock.nevada.edu (8.6.4/8.6.4) with ESMTP id DAA22375 for <jamesb@redrock.nevada.edu>; Thu, 13 Jan 1994 03:34:16 -0800 Received: from top.cs.vu.nl (top.cs.vu.nl [192.31.231.43]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id DAA12638 for <jamesb@nevada.edu>; Thu, 13 Jan 1994 03:34:08 -0800 Received: from galjoen.cs.vu.nl by top.cs.vu.nl id aa08705; 13 Jan 94 12:33 MET Date: Thu, 13 Jan 94 12:33:37 MET From: Stefan <slfrank@cs.vu.nl> To: jamesb@nevada.edu Subject: "Jigsaw" by Marillion Message-ID: <9401131233.aa19873@galjoen.cs.vu.nl> Hi there! These are, I believe, the chords to "Jigsaw" by Marillion: We are [F#] jigsaw pieces, aligned on the perimeter edge, [B] Interlocked through a missing [F#] piece. We are re[F#]naissance children, becalmed beneath the bridge of sighs, For[B]ever throwing firebrands at the [F#] stondework. We are [Abm] siamese children [E] related by the [F#] heart. [Abm] Bleeding from the [E] surgery of i[F#]nitial confrontation. [Abm] Holding the word [E] scalpels in trembling [F#] lips. Stand [Abm] straight, [E] look me in the eye and [B] say good[F#]bye. Stand [Abm] straight, we've [E] drifted past the point of [B] reasons [F#] why. [Abm] Yesterday start to[E]morrow, tomorrow [B] starts to[F#]day. And the [Abm] problem always seems to be we're [E] picking up the pieces on the [B] rico[F#]chet [C#sus4]. [Abm] This is the [F#] ricochet. 2nd verse: same chords 2nd chorus: same chords until: ... picking up the pieces on the [B] rico[F#]chet. [Dm] [F] This is the [C] rico[Bb]chet. Are we [Dm] trigger happy? [F] Russian roulette in the [C] waiting room [Bb]. [Dm] Empty chambers [F] embracing the [C] end [Bb]. [Dm] Puzzled visions [F] haunt the ripples of a [C] trevi [Bb] moon. [Dm] Dream coins for the fountain [F] or te cover your [C] eyes [Bb]. We [Am] reached ignition point [F] from the sparks of [G] pleasantries. We [Am] sensed the smoke ad[F]vancing from ho[G]rizons. You[Am] must have known that [F] I was considering an e[G]scape. Stand [C#m] straight, [A] look me in the eye and [E] say good[B]bye. Stand [C#m] straight, We've [A] drifted past the point of [E] reasons [B] why. [C#m] Yesterday starts to[A]morrow, tomorrow [E] starts to[B]day. And the [C#m] problem always seems to be we're [A] picking up the pieces on the [E] rico[B]chet. [Bm] [G] This is the [A] ricochet.... I'll be [Bm] seeing you again [G] on the [A] ricochet.... ---------------------------------------------------------------------- Well, that's it. By the way, does anybody out there understand anything of these lyrics? I don't! Stefan Frank Vrije Universiteit, Amsterdam The Netherlands e-mail: slfrank@cs.vu.nl
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