Artist: MARILLION | Title: chelsea monday
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# From: Stefan <slfrank@cs.vu.nl> "Chelsea Monday" by Marillion [Dm] [Am] [Bb] [Gm] [Dm] Catalogue princess, ap[Am]prentice seductress [Bb] hiding in her [Gm] cellophane world in glitter town. [Dm] Awaiting the prince in het [Am] white Capri [Bb] dynamic young tarzan [Gm] courts the bedsit queen. [Dm] She's playing the actress in this [Am] bedroom scene, [Bb] she's learning her lines from glossy [Gm] magazines. [Dm] Stringing all her pearls from her [Am] childhood dreams, [Bb] auditioning for the leading role on the [Gm] silver screen. [Dm] Patience my tinsel [Am] angel. [Bb] Patience my perfumed [Gm] child. One [Dm] day they'll really [Am] love you. You will [Bb] charm them with that [Gm] smile. But for [Dm] now [Am] [Bb] [Gm] It's just another Chelsea [Dm] Monday [Am] [Bb] [Gm] Chelsea [Em] Monday! [D] [C] [Am]. (solo part:) [Em] [D] [C] [Am] (lots of times) [Dm] [Am] [Bb] [Gm] [Dm] Drifting with her [Am] incense in the [Bb] labyrinth of [Gm] London. [Dm] Playing games with [Am] faces in the [Bb] neon wonderland [Gm]. Per[Dm]form to scattered [Am] shadows on the [Bb] shattered cobbled [Gm] aisles. Would she [Dm] dare recite so[Am]liloquies at the [Bb] risk of stark ap[Gm]plause? [Em] [D] [C] [Am] To Chelsea [Em] Monday. [D] [C] [Am] She'll [Em] pray for endless [D] Sundays, as she [C] enters saffron [Am] sunsets. [Em] Conjure phantom [D] lovers from the [C] tattered shreds of [Am] dawn. Ful[Em]filled and yet for[D]gotten the [C] St Tropez mi[Am]rage. [Em] Fragrant aphro[D]disiac, the [C] withered tube[Am]rose. [F#m] [A] [F#m] [C#m] [E] [C#m] [B] [Ebdim] [B] [G] [Em] (2x) [F#m] Patience my tin[A]sel [F#m] angel. [C#m] Patience my per[E]fumed [C#m] child. One [B] day they'll real[Ebdim]ly [B] love you. You will [G] charm them with that [Em] smile. But for [F#m] now [A] [F#m] [C#m] [E] [C#m] It's just another [B] Chelsea Monday [Ebdim] [B] [G] [Em] Sweet Chelsea [F#m] Monday! [A] [F#m] [Bsus4] [B] [Dm] [F] [Dm] [Em] [G] [F#m] [A] [F#m] [Bsus4] [B] [Dm] [F] [Dm] [Em] [G] [F#m] [A] [F#m] [C#m] [E] [C#m] [B] [Ebdim] [B] [G] [Em] (3x) [F#m] Catalogue princ[A]ess, ap[F#m]prentice seductress [C#m] buried in [E] her [C#m] cellophane world in [B] glitter town. [Ebdim] [B] [G] [Em] [F#m] [A] [F#m] [C#m] [E] [C#m] [B] [Ebdim] [B] [G] [Em] (2x) [F#m] [A] [F#m] [C#m] [E] [C#m] Stefan (pronounced: Stay-Fun) Frank slfrank@cs.vu.nl Vrije Universiteit Amsterdam The Netherlands
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