Artist: BIBLE | Title: red hollywood
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Date: Thu, 25 Jun 1998 16:12:22 -0700 From: Logan Smith <logansmith@inficad.com> Subject: b/bible/red_hollywood.crd Red Hollywood by The Bible Transcribed by LoganSmith@Juno.com Date: July 28, 1997 This song is on The Bible^?s 1988 record, Eureka. It is a mellow jazz piece at about 84 on a metronome. There is a dainty electric guitar (guitar 1) coupled with a jazzy electric. (guitar 2). Both are played cleanly. The bass is an upright. Guitar 1 (Figure 1) Bb E9(#11) e----------------------------- B------3----------3---------- G------3----------3---------- D------3----------2---------- A----------------------------- E----------------------------- This is the rhythm. (The dashes above the numbers denote the count on which the chord is played.) _ _ 1-&-2-&-3-&-4-& Guitar 2 (Figure 1) C7 C7sus(1) e----------------------------------------------------------- B------------5-------------------------------6------------ G--------3-------------------------------3--------------- D----5-------------------------------5----------------------- A--------------------------------------------------------- E--------------------------------------------------------- Rhythm: _ _ _ 1-&-2-&-3-&-4-& (This rhythm is played with both the C7 and the C7sus. They are separated by 4 counts of rest.) Guitar 2 (Figure 2)- Guitar 1 rests here. C7sus(2) Eb7sus Bb7sus C7sus(2) D5 D7#9 e----13------16-------------11------13-------------------------------- B--- 11------14-------------9-------11--------15----------6----6---- G----12------15-------------10------12--------14----------5----5---- D---------------------------------------------------------4----4---- A---------------------------------------------------------5----5---- E----------------------------------------------------------------------- Rhythm: _ _ _ _ ______ _ _ 1-&-2-&-3-&-4-&|1-&-2-&-3-&-4-&|1-2-3-4|1-2-3-4| Guitar 2 (Figure 3) I am not sure about this part. I think it is an arpeggio on C7sus(1), A7sus, and other chords. If you figure out this part, please let me know. The guitar and trumpet solos are in Em. Intro: (Figure 1) Verse (Figure 1) Don^?t think I^?ve ever been so ashamed. You brought those ugly thoughts into our house, Into our house. (Figure 2) Now I find I^?m behind enemy lines. Pre-Chorus (Figure 3) Then he tells her how he wants her. And he^?s going to be good, he^?s going to be, Yes, he^?s going to be good. Chorus (Figure 1) But how can he be good when all the flags are coming down In Red Hollywood? In Red Hollywood. (Figure 2) I^?ve been crying. I^?ve been crying all night....... Guitar Solo Pre- Chorus Chorus (no guitar 1) Outro: Guitar 2 and Trumpet improvisation.
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