Artist: RAITT BONNIE | Title: if you gotta make a fool of somebody

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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.



#----------------------------------PLEASE NOTE----------------------------------#
# This file is the author's own work and represents their interpretation of the #
# song. You may only use this file for private study, scholarship, or research. #
#-------------------------------------------------------------------------------#



From marten@sky.net Sun May  4 10:19:23 1997
Date: Wed, 02 Apr 1997 09:45:32 -0800
From: Otto Marten <marten@sky.net>
Reply-To: mail.sky.net@sky.net
To: guitar@olga.net
Subject: CRD: Bonnie Raitt

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If You Gotta Make A Fool Of Somebody
Rudy Clark / Give It Up 1972
as recorded by Bonnie Raitt
3/4 time signature

(5)
3-                  |/          |6-    |/ |
If you got to make a fool of somebody
3-                  |/          |6-    |6-/5 |
If you got to make a fool of someone
4     |2-          |5s    |/   |
Do you really gotta hurt me
1      |4          |1       |1 /2 /#2 |
I^?m the one that^?ll worry

Repeat

(2      3)
2-     |5        |
Daytime Nitetime
(1 1 7  6  5)
1          |6-    |
Anytime at all
2-           |5        |
I^?ll be there waiting
1          |6-    |
Anytime you call
2-        |5         |
Just to be near you
(6  6^5)
3-
You know
(    1 1 7    6    6^5)
    |/            |2-   |
That anywhere I^?ll go
(6  7     1   7    7  6^5)
2-           |/       |5     || 3- 
How could you hurt me so

Verse break

alternate first line bass: | 3-/5 |3-/#4 |6-/3 |6-/6 |

| = bar line; / = play same as previous chord
Within bar lines chords divide measure accordingly
/^/ = split the beat (ex.:  /^G7 )
s=sus4

[Number system for any key: in C, 1=C, 2=D-, 3=E-, etc.]
[Bass notes are key scale numbers: in C, 1=C, 2=D, 3=E, etc.]
[Number in parens = vocal notes from key scale: in C, 1=C, 2=D, 3=E,
etc.]

transcribed by OtMan Otto Marten marten@sky.net


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