Artist: TYPE O NEGATIVE | Title: too late frozen
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Too Late Frozen Type O Negative Written By Peter Steele Tabbed By Jon Lent (ozzytypeinsanity@yahoo.com) uses standard tuning (G D A E) uses heavy distant distortion Beginnning Riff Part One (1x): G------------------------------------ D------------------------------------ A--2/-9--9--8--8--7------------------ E---------9-----9-------------------- Beginning Riff Part Two (3x): G------------------------------------ D------------------------------------ A--2/-9--9--8--8--7--7--6------------ E---------9-----9-----9---7-5-7------ then do beginning riff part one to lead into next riff Next Riff (Too Late For Apologizes) G------------------------------------ D------------------------------------ A------------------------------------ E--7-7-0-6-6-0-5-5-0-4-0-3-5--------- Verse Riff: G------------------------------------ D------------------------------------ A----------7--9--7---------7-6-7-6--- E--7-7-7-7---------5-5-5-5----------- The other main riff (I'm screaming because of you) is up for your personal interpretation. It can be played many ways, and since the bass is really subliminal, making something up that sounds good is your best option. Corrections or questions e-mail me
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