Artist: WATERS ROGER | Title: every strangers eyes
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Date: Thu, 7 Mar 1996 10:55:02 -0500 From: Jamison.M.Ruoff.1@nd.edu (Jamison Ruoff) EVERY STRANGER'S EYES from The Pros and Cons of Hitchhiking, 1984. by Roger Waters When I play this, it sounds pretty good when you embellish slightly on the C, Am, and G chords (for instance I'll just hammer-on the D string for the C & Am, and on the A for the G chord. Listen to the record and you'll hear what I mean). This is how I remember it... Intro: C Am Dm G C In truck stops, and hamburger joints, Am In Cadillac limosuines, in the company of Dm Has-beens and bent-backs G And sleeping forms on pavement steps, C In libraries and railway stations, Am In books and banks, Dm In the pages of history G C Am And suicidal cavalry attacks I recognize F G C Myself in every stranger's eyes. C And in wheelchairs by monuments, Am Under tube trains, commuter accidents, Dm In council care and county courts, G At Easter fairs and sea-side resorts, C In drawing rooms and city morgues, Am In award-winning photographs of life-rafts on the China Seas, Dm In transit camps, under arc lamps, on unloading ramps, G C Am And faces blurred by rubber stamps I recognize F G C Myself in every stranger's eyes. C Am Dm G And now, from where I stand, upon this hill I've plundered from the pool C Am Dm G I look around, I search the sky, I shade my eyes so nearly blind C C/G Am F And I've seen sights of half-remembered days, I hear bells that chime in strange, G familiar ways C Am F G C F G Em Am Dm G I recognize the hope you kindle in your eyes C F G It's oh, so easy now, as we lie here in the dark Em Am Dm Nothing interferes, it's obvious how to beat the tears that threaten to snuff out the G C CCC smoke of our love. C/G -0- -1- -0- -0- -2- -3-
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