Artist: PANTERA | Title: art of shredding
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# PANTERA The Art Of Shredding FROM: jamesj@svpal.org This isnt the full song, just a few riffs that I know and I thought I would share. If anyone knows anything different, Send it to me in e-mail or post it at nevada.edu. Thanks <somewhere in the beginning of the song> P.M. - - - ----------- |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |-4-----4------2----2----------------------------------------| |----2-----2-----2----2---554-554-554-2-0--------------------| |------------------------------------------------------------| P.M. - - - ----------- |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |-4-----4-----2-----2----------------------------------------| |----2-----2----2-----2---554-554-554-2-0--------------------| This doesnt sound right but Live with it, Winners P.M. - - - - - - - - |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |--6---6----7---7---6---6---7---7----6-7-6-7--6-7------------| |----4---4----5---5---4---4---5---5--4-5-4-5--4-5------------| |------------------------------------------------------------| Later on in the song P.M. ----------- ------- |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |--8--7--8--7---8-----2--2-2-2-2-2-2--8-7--8--7--8--3-333333-| |--6--5--6--5---6-----0--0-0-0-0-0-0--6-5--6--5--6--1-111111-| P.M. ================================== |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |3--2--3--2--3-/5--5--5--5--5--5--4---4-4---3--3--3----------| |1--0--1--0--1-/3--3--3--3--3--3--2---2-2---1--1--1----------| If anyone knows any of the riffs from DIADEMS by Megadeth, E-mail me with them. Thanks. -Jim <jamesj@svpal.org> The Art Of Shredding by Pantera Tuned 1/2 step down? E[----------------------------------------] this comes after the whammy dives. B[----------------------------------------] G[----------------------------------------] they're are all pinch harmonics.. D[-------4--2-----------------------------] A[-------------5--4--2-----0--3-----------] E[-0--2-----------------3--------4~~~-----] E[------------------------------------------------------] B[------------------------------------------------------] G[------------------------------------------------------] D[-4-----4-----2-----2----------------------------------] A[----2-----2-----2-----2---5-5-4--5-5-4--5-5-4--2--0---] E[------------------------------------------------------] E[--------------------------------------------------------------------------] B[--------------------------------------------------------------------------] G[--------------------------------------------------------------------------] D[--------------------------------------------------------------------------] A[----4-----4---------------------------------------------------------------] E[-2-----2-----0--2--0--2---5-5-4--5-5-4--5-5-4--2--0-----------------------] E[--------------------------------------------------------------------------] B[--------------------------------------------------------------------------] G[--------------------------------------------------------------------------] D[-6-----6-----7-----7-----6-----6-----7-----7-----6---6-6--6-6--6-6--6-6-6-] A[----4-----4-----4-----4-----4-----4-----4-----4--4---4-4--4-4--4-4--4-4-4-] E[--------------------------------------------------------------------------] hit the gas! (just remember that you jump up 3 each time..) E[-----------------------------------------] E[----------------------------] B[-----------------------------------------] B[----------------------------] G[*---------------------------------------*] G[----------------------------] D[*-----------------------------8\7-------*] D[--3--3/4--4\3---------------] A[------5---8-----7---10----8---6\5--------] A[--1--1/2--2\4---------------] E[--0-0-3-0-6-0-0-5-0-8-0-0-6-0------------] E[----------------------------] Verse E[--------------------------------------------------------------------------] B[--------------------------------------------------------------------------] G[*-------------------------------------------------------------------------] D[*2-2-2------------------------------------------------2-------------------] A[-2-2-2------------------------4/6---------------------2-------------------] E[-0-0-0-----0-0-0-0-0-0-0-0-0--2/4--4-4-4-4-4-4-4-4-4--0---0-0-0-0-0-0-0---] . . E[----------------------] B[----------------------] G[---------------------*] D[--3--3/4--4\3--3/4---*] A[--1--1/2--2\1--1/2----] E[----------------------] the slower almost-the-end part.. E[-------------------------------------------------------------] B[-------------------------------------------------------------] G[*------------------------------------------------------------] D[*-3\2--3\1--3\2----------------3\2--3\1--3\3-----------------] A[--1\0--1\0--1\2---2-2-2-2-2-2--1\0--1\0--1\3---3-3-3-3-3-3---] E[--------------0---0-0-0-0-0-0--------------1---1-1-1-1-1-1---] E[----------------------------------------------] B[----------------------------------------------] G[---------------------------------------------*] D[---------------------------------------------*] A[-3\2--3\2--3/5---5-5-5-5-5--4--4-4--3--3-3-3--] E[-1\0--1\0--1/3---3-3-3-3-3--2--2-2--1--1-1-1--] Shred yer ballz off.. -Jon From: komanduri@opus.mco.edu Date: Mon, 10 Jun 1996 01:00:09 +0000 Subject: Art of Shredding by Pantera ******************Just so we're all clear-- this is MY version****** of this song-- no copyright infringement!! from Rob Doyle 103125.2050@compuserve.com) PANTERA The Art Of Shredding INTRO -- Bass and Drums (bass is just low E chuggin') P.M. P.M. REPEAT both bars once |----------------------|-------------------------------------| |----------------------|-------------------------------------| |----------------------|-------------------(some weird ass---| |----2------------1----|---2-----------1-----harmonic whammy| |----2------------1----|---2-----------1-----bar crap- some of |----0------0----------|---0------0----------Darrell's best!) I don't have a trem, but I know the second time the |P.M.| note is a 2-octave A |---------------------------------| |---------------------------------| |---------------------------------| Darrell plays with artificial |---------4-2---------------------| harmonics on a few notes, |-------------5--4--2---2--4------| listen up and you can |-0--2----------------5------5----| figure it out. P.M. - - - ----------- |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |-4-----4------2----2----------------------------------------| |----2-----2-----2----2---554-554-554-2-0--------------------| |------------------------------------------------------------| P.M. - - - ----------- |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |-4-----4-----2-----2----------------------------------------| |----2-----2----2-----2---554-554-554-2-0--------------------| P.M. - - - - - - - - - - - - - |-----------------------------------------------------| |-----------------------------------------------------| (not totally |-----------------------------------------------------| positive |--4-----4-----5-----5-----4-----4--5-----5----5--4---| about this |-----2-----2-----2-----2-----2--------2-----2--------| part) |-----------------------------------------------------| right after that riff hit a bunch of C#'s then a huge D -- here we go! ! This is the MASSIVE RIFF for the chorus (right before P.M. the verse starts) |---------------------------------------| --------------| |---------------------------------------| --------------| |---------------------------------------| --------------| |-----------6----------5----------8-7---| --------------| |-------8---4------7---3------6-7/6-5---| --8-9-9---98--| |--0-0--6-------0--5-------0--4-5-------| --6-7-7---76--| that chord in between the end of the chorus riff and the verse is a hard F# the verse riff is just a palm muted progression of notes- it goes from E to G# to E to A# P.M.---------- 1st time only |---------------------------|-------| |---------------------------|-------| |---------------------------|--8-\--| |---------------------------|--8-\--| |--6---6---6---6------------|--6-\--| |----7---6---5---4---4-5-6--|-------| this riff's kinda tricky -- it's hard to keep the D# staccato |-----------------------------| |-----------------------------| |--9\-8--9\-8--9\-8-----------| |--9\-8--9\-8--9\-8-----------| |--7\-6--7\-6--7\-6--55555555-| |-----------------------------| P.M. ----------- ------- |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |--4--3--4--3--4----------------------4--3--4--3-4-----------| |--2--1--2--1--2------2--2-2-2-2-2-2--2--1--2--1-2--3-333333-| |---------------------0--0-0-0-0-0-0----------------1-111111-| P.M. ================================== |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |4--3--4--3--4-/6--6--6--6--6--6--5---5-5---4--4--4----------| |2--1--2--1--2-/4--4--4--4--4--4--3---3-3---2--2--2----------| SHHHHRRRRREEEEDDDD!!! P.m.- P.M. - - |------------------------------| |------------------------------| |------------------------------| this part's very strange |------------------------------| to look at, just listen |-6-6-----6/7\6--66-----4------| to get the feel right |-4-4--0--4/5\4--44--0--2-0--0-| (also, I think that slide from G# to A may actually be a bend) then do a chromatic descent from A# into the blitzkrieg! ok, solo's next-- you guys are on your own for that baby!! There's a lot of cool bends and a TON of stretching involved I suppose the last thing is the chorus and that descending Eb thing-- there's a harmony that's something like this on the last time-- RIGHT! |------------------------------------------------------------| |------------------------------------------------------------| |--11----11-----11----11------------------8\-----------------| |-----12----11-----10----9--9-10-11-------8\-----------------| |-----------------------------------------6\-----------------| |------------------------------------------------------------| There ya go, cowboys! Special thanks to jamesJ@svpal.org who does all those KILLER Sepultura tabs-- thanks a lot, man!! KEEP YOUR EARS AND EYES OPEN FOR the SINISTER INVASION! --the Sarcophage (Rob Doyle 103125.2050@compuserve.com)
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