Artist: YES | Title: close to the edge
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# From Raphael.Chaise@ceram.fr Thu May 8 10:17:12 1997 Date: Mon, 17 Mar 1997 13:22:41 +0100 From: Raphael Chaise <Raphael.Chaise@ceram.fr> To: olga <guitar@olga.net> Subject: Close to the edge part [The following text is in the "iso-8859-1" character set] [Your display is set for the "US-ASCII" character set] [Some characters may be displayed incorrectly] This is for keyboard. It is a transcription of the third part of "close to the edge" by YES. CLOSE TO THE EDGE III. I Get Up, I Get Down (Anderson/Howe) INTRO : ? |||Emaj7|C#m||| (G#m)In her white lace, (Bm)You could clearly see the (F#m)lady sadly looking. (Am)Saying that she'd take the blame For the (B)crucifixion of her own domain. (Emaj7)I get up, I get (C#m)down, I get (Emaj7)up, I get (C#m)down. (G#m)Two million people barely (Bm)satisfy. (F#m)Two hundred women watch one (Am)woman cry, too (B)late. (G#m)The eyes of honesty (Bm)can achieve. (F#m)How many millions do (Am)we deceive each (B)day? I get (Emaj7)up, I get (C#m)down. I get (Emaj7)up, I get (C#m)down. (G#m)In charge of who is there in (Bm)charge of me. (F#m)Do I look on blindly and (Am)say I see the (B)way? (G#m)The truth is written all a(Bm)long the page. (F#m)How old will I be before I (Am)come of age for (B)you? I (Emaj7)get up, I get (C#m)down. I get (Emaj7)up, I get (C#m)down. I get (Emaj7)up, I get (C#m)down. ORGAN : |Emaj7|Caug5+aug9|Amaug4|Badd4| |Fmaj7JA|Abdim|Amdim6|Badd4| I get (Emaj7)up, I get (C#m)down. I get (Emaj7)up, I get (C#m)down. ORGAN : |Emaj7|Caug5+aug9|Amaug4|Badd4| |Fmaj7JA|Abdim|Amdim6|Badd4| |Badd14|B9sus4+6|B7 Any comment : Raphael.Chaise@ceram.fr
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