Artist: PRINE JOHN | Title: bruised orange

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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.



#----------------------------------PLEASE NOTE----------------------------------#
# This file is the author's own work and represents their interpretation of the #
# song. You may only use this file for private study, scholarship, or research. #
#-------------------------------------------------------------------------------#


Date: Sun, 29 Mar 1998 19:22:16 -0500
From: Ray Allis <rallif@home.com>
Subject: CRD:p/prine_john/bruised_orange.crd

BRUISED ORANGE
by John Prine
interpreted by Ray Allis

   G
   My heart's in the ice house
2) I've been brought down to zero

   come hill or come valley
2) pulled out and put back there
          C
   like a long ago Sunday 
2) I sat on a park bench

   when I walked through the alley
2) kissed the girl with the black hair
        G
   on a cold winters morning
2) and my head shouted down
          D
   to the church house
2) to my heart
                       G
   just to shovel some snow
2) you better look out below

   I heard sirens on the train tracks
2) Well it ain't such a long drop

   howl naked , gettin nuder
2) don't stammer, don't studder
      C  
   an alter boy had been hit 
2) from the diamonds in the sidewalk

   by a local comuter
2) to the dirt in the gutter
             G 
   just from walking with his back turned 
2) you'll be carrying those bruises
        D
   to a train
2) to remind you
                      G     G7
   that was coming so slow
2) wherever you go

   (CHORUS)
           C
   You can gaze out the window

   get mad and get madder
              G
   throw your hands in the air

   and say what does it matter
          D     
   but it don't do no good
          C
   to get angry
                G      G7
   so help me I know
         C
   for a heart stained with anger

   grows weak and grows bitter
       G
   you become your own prisoner

   as you watch yourself sit there
                   D             
   wrapped up in a trap
                C
   of your very own
            G
   chain of sorrow

3) (Repeat first verse and chorus)


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