Artist: REVEILLE | Title: what you got
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Reveille - What You Got From the Album: Bleed the Sky (As Tabbed by Stereo 76) {edwardsn@lacrosse.com} Tuned to Drop D & dropped 1/2 a step down [C# G# C# F# A# D#] p = palm mute / = slide up \ = slide down h = hammer on INTRO (distortion) D#-------------------------------------------------------------- A#-------------------------------------------------------------- F#--7----------------------------------------------------------- C#--0----(hold for 4 seconds)----------------------------------- G#--0----------------------------------------------------------- C#--0----------------------------------------------------------- VERSE (distortion) D#-------------------------------------------------------------- A#-------------------------------------------------------------- F#-------------------------------------------------------------- C#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-0-0-3-0---------- G#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-0-0-3-0---------- C#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-0-0-3-0---------- D#-------------------------------------------------------------- A#-------------------------------------------------------------- F#-------------------------------------------------------------- C#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-0-0-3-0---------- G#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-0-0-3-0---------- C#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-0-0-3-0---------- D#-------------------------------------------------------------- A#-------------------------------------------------------------- F#-------------------------------------------------------------- C#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-0-0-3-0---------- G#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-0-0-3-0---------- C#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-0-0-3-0---------- D#---------------------------- <Right before the chorus on ----- R A#---------------------------- this part use flange and ----- E F#---------------------------- turn your treble up > ----- P C#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-7-7-8-8-7-7------ E G#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-7-7-8-8-7-7------ A C#--0-h3-3-3/7-7--7-0-0-3-0----0-h3-3-3/7-7--7-7-7-8-8-7-7------ T CHORUS (distortion) (played fairly quickly. listen to the song for timing if you need to) D#-------------------------------------------------------------- A#-------------------------------------------------------------- F#-------------------------------------------------------------- C#--12-12-12-12-12-12-12-12-12\5-5-5/6-6/7-7-0-0-0-0-0-0-0-0-0/5 G#--12-12-12-12-12-12-12-12-12\5-5-5/6-6/7-7-0-0-0-0-0-0-0-0-0/5 C#--12-12-12-12-12-12-12-12-12\5-5-5/6-6/7-7-0-0-0-0-0-0-0-0-0/5 D#-------------------------------------------------------------- A#-------------------------------------------------------------- F#--------------------------------------------------------*--*-- C#--5-5/6-6/-7-7-12-12-12-12-12-12-12-12-12\5-5-5/6-6/7-7-0--0-- G#--5-5/6-6/-7-7-12-12-12-12-12-12-12-12-12\5-5-5/6-6/7-7-0--0-- C#--5-5/6-6/-7-7-12-12-12-12-12-12-12-12-12\5-5-5/6-6/7-7-0--0-- D#-------------------------------------------------------------- A#----------------- <repeat except do not play the last ----- F#--*-*-*-*-*-*-*-- part (*) on the second time, you just ----- C#--0/5-5-5/6-6/7-- keep quiet until the verse again > ----- G#--0/5-5-5/6-6/7----------------------------------------------- C#--0/5-5-5/6-6/7----------------------------------------------- **PLAY VERSE **PLAY CHORUS BRIDGE (distortion) D#-------------------------------------------------------------- A#---------- <now put on -------------------------------------- F#----------- your flange> --p7-p7-p7-p7-p7-p8-p7- <repeat x8> - C#--0-0-0------------------------------------------------------- G#--0-0-0------------------------------------------------------- C#--0-0-0------------------------------------------------------- D#-------------------------------------------------------------- A#-------------------------------------------------------------- F#--p7-p7-p7-p7-p7-p8-p7---------------------------------------- C#---x--x--x--x--x--x--x <repeat x8>---------------------------- G#--p5-p5-p5-p5-p5-p6-p5---------------------------------------- C#-------------------------------------------------------------- BRIDGE II (distortion) (let both C# strings ring throughout) D#-------------------------------------------------------------- A#-------------------------------------------------------------- F#--7--7/8----------------------7/8-8-7/8-8----------7--7/8----- C#--0--0--- <repeat x7, then> --0---0-0---0- <then> -0--0----<x7> G#--5--5/6----------------------5/6-6-5/6-6----------5--5/6----- C#--0--0------------------------0---0-0---0----------0--0------- **PLAY CHORUS ONE LAST TIME
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