Artist: LIVING COLOUR | Title: type
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Song: TYPE Artist: LIVING COLOUR Album: TIME?S UP -------------------- Transcribed by Emil Ortenmark, kfemil@telia.com Standard tuning Comments: Not so busy or complicated as one expects from Muzz but still a solid line. The only real interesting stuff appears towards the end when he starts improvising walking lines around the progression. Here I have listed two variations. Key: / = slide up \ = slide down b = bend (whole step) b^ = bend (1/2 step) b^^ = bend (1 1/2 steps) pb = pre-bend r = release-bend t = tap with righthand finger h = hammer-on p = pull-off ~ = Vibrato * = Natural Harmonic #(#) = Trill x = Dead notes (no pitch) P.M. = Palm mute (- -> underneath indicates which notes) Tp = Tap w\plectrum Rhythm Fig. 1 G|--------------------------------------------------| D|--------------------------------------------------| A|-------------0--2--3--4--------------0--2--3--4---| E|--2--2----2-------------3----2----2-------------3-| G|--------------------------------------------------| D|--------------------------------------------------| A|------------0--2--3--4----------------------------| E|----2----2-------------3----2----2----2--2--0-----| Rhythm Fig. 2 G|--------------------------------------------------| D|--------------------------------------------------| A|--------------------------5--5--5--5--5--5--5--5--| E|--7--7--7--7--6--6--6--6--------------------------| G|--------------------------------------------------| D|--------------------------------------------------| A|--5--5--5--5-------7------------------------------| E|--------------5-----------------------------------| Rhythm Fig. 3 G|--------------------------------------------------| D|--------------------------------------------------| A|--0----0------0----0----5----5------5----5--------| E|--------------------------------------------------| G|--------------------------------------------------| D|--------------------------------------------------| A|--2----2------2----2----1----1------1----1--------| E|--------------------------------------------------| Rhythm Fig. 4a G|--------2-----------------------------------------| D|-----4-----4-----4------------4---------4---------| A|--4-----------3-----3--2-------------3-----3--2---| E|--------------------------------------------------| G|--------------------------------------------------| D|----4---------4------------4----------------------| A|-----------3-----3--2-----------------------------| E|--------------------------------------------------| Rhythm Fig. 4b G|--------2-----------------------------------------| D|-----4-----4-----4------------4---------4---------| A|--4-----------3-----3--2-------------3-----3--2---| E|--------------------------------------------------| G|--------------------------------------------------| D|----4---------4-----------------------------------| A|-----------3-----3--------------------------------| E|--------------------------------------------------| Rhythm Fig. 5 G|--------------------------------------------------| D|--------------------------------------------------| A|--0--0--0--0--0--0--0--0--5--5--5--5--5--5--5--5--| E|--------------------------------------------------| G|--------------------------------------------------| D|--------------------------------------------------| A|--2--2--2--2--2--2--2--2--1--1--1--1--1--1--1--1--| E|--------------------------------------------------| Rhythm Fig. 6a G|--------------2-----------------------4-----------| D|--------2--4-----4--2-----------4--7-----7--4-----| A|--0--0-----------------4--5--5-----------------5--| E|--------------------------------------------------| G|--------------4-----------------------0-----------| D|--------4--6-----6--4--1--------0--3-----3--0-----| A|--2--6--------------------1--1-----------------1--| E|--------------------------------------------------| Rhythm Fig. 6b G|--------------2--0--------------------5--4--------| D|--------2--4--------2-----------4--7--------7--0--| A|--0--0-----------------0--5--5--------------------| E|--------------------------------------------------| G|--------------2--2--------------------0-----------| D|-----1--2--4--------4--1--------0--3-----3--0-----| A|--2-----------------------1--1-----------------1--| E|--------------------------------------------------|
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