Artist: COMPULSION | Title: domestique
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# From: jrt1003@cl.cam.ac.uk (James Thomas) Subject: TAB: compulsion "domestique" here you go then, my first tab. any comments etc. highly welcome. any more compulsion tab would be great. ta. "domestique" - compulsion (1) ---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- -------7------6-5-4--------------- ---------------------------------- (2) 2--------5--------4--------5--------4-------- 4--------5--------4--------7--------6-------- 4--------7--------6--------7--------6-------- 3--------7--------6--------6--------5-------- 2--------5--------4--------5--------4-------- 2--------5--------4--------5--------4-------- with two down-strums on the EAD strings and one up-strum on all strings <smart terminology, eh?> (3) the same as (2) but thrashing all strings (4) 3-3--2-2---5----9--- 5-5--4-4---7----11-- 5-5--4-4---7----11-- 4-4--3-3---4----10-- 3-3--2-2---5----9--- 3-3--2-2---5----9--- (5) this bit when the guitarist sings "oooooohh..oooooh" E-0----------9-------------7----------7------- A---1---1------11----11------9---9------9---9- D-----1-----------11-----------9----------9--- then the song is built up out of these segments like this (1) x4 (2) x2 | (3) x2 } all of this x2 (4) x2 | (4) x2 ---9--- ---11-- ---11-- for a couple of bars ---10-- ---9--- ---9--- [bass only] (2) x2 (3) x2 (4) x4 (1) x1 (5) x5 (while giving it "oooohh oooooh") (2) x2 (3) x2 (4) to end -------------------------- james. send any corrections to me: jrt1003@cl.cam.ac.uk
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