Artist: STEREOLAB | Title: metronomic underground
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# From: Bobby Tendinitis [bedwarm@cyberspace.org] Sent: Sunday, December 21, 1997 12:39 PM Song: "Metronomic Underground" Artist: Stereolab Album: "Emperor Tomato Ketchup" (Duophonic/Elektra, 1995) Tabbed by: Bobby Tendinitis (bedwarm@wilhelp.com, bedwarm@cyberspace.org) Standard Tuning: E A D G B E. (this is the bass part, but sounds fine on guitar) E------------------------------------------------------ B------------------------------------------------------ G------------------------------------------------------ D-----------7----7--------7---7-------7---------------- A------------------------------------------------------ E----5--5----------5--5---------5--5------------------- E------------------------------------------------------ B------------------------------------------------------ G------------------------------------------------------ D-------7--5------------5--7--------------------------- A-------------7---5--7--------------------------------- E---5-------------------------------------------------- (guitar riff) A----------3---------5---------3---------------- E---5-3-5-----5-3-5-----5-3-5------3-3--3--3-3-- And that's it. Add percussion, lots of Farfisa, and dual French vocal parts.
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