Artist: LOVE | Title: stephanie knows who
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Date: Sat, 28 Mar 1998 19:09:45 -0500 From: Dann Butterfield <drumbo@geocities.com> Subject: l/love/stephanie_knows_who.crd Stephanie Knows Who (Arthur Lee) LOVE >From Da Capo, 1967 **** You should listen to the song to figure out how to play the bridge. **** (brisk tempo, 3/4) Intro: D / / A / / G / / (x2) E / / G / / F# / / F / / (x2) Verse 1: D A G What's in your life, dear Stephanie? D A G What's in your life for me? E G F# F Aches and pains they cloud your sight E G F# F What Tigra did, you said you did (repeat intro) What can I say, dear Stephanie? Who should I next inform Of love and poetry that you bring Your eyes, your hair, your everything, yeah! Bridge: ('_' = quarter note rest, the 'Yeah!' and 'Uhhh!' are also rests) (Yeah!) F F | G _ A | A _ A | A F F | D G _ | A A _ | A A _ Uhhh! F F | G _ A | A _ A | A F F | D G _ | A A _ | A A _ E Yeah, yeah, yeah, yeah, come on, come on, come on, come on... Middle: (5/4) Am / / Bm Em | Am / / Em G (x11) E Yeah, yeah, yeah, yeah, come on, come on, come on, come on... Verse 3: What am I now, dear Stephanie? Am I you in disguise? The words they come so naturally I say them all for Stephanie, yeah (repeat bridge) D / / A / / G / / (repeat to fade) **************** submitted by Dann Butterfield transcribed by Shawn Trotter comments/corrections to drumbo@geocities.com ****************************************************************
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