Artist: PUDDLE OF MUDD | Title: blurry4
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# ======================================================================== Title: Blurry Band: Puddle of Mudd Tablature: Han Duong, handuong@uiuc.edu Revision: 1-29-2002 ======================================================================== HARMONICS ________________________ ___________________________ | FIGURE I | FIGURE II | e |--------7---------7-----|--------7--------7---5--7--| B |--7---------7-----------|--7--------7---------------| G |----7---------7------7--|----7--------7-------------| D |------7---------7-------|------7--------7-----------| A |------------------------|---------------------------| E |------------------------|---------------------------| In the intro, play FIGURE I twice, then play FIGURE II twice. After that, it's approximately 2 lines of lyrics through which you play FIGURE I and then end with FIGURE II. The harmonics stop when you here "Can you take it all away..." and pick back up after "Everyone is changing..." (starts back up slightly after the beginning of a new verse). NON-HARMONICS _________ ________... |2. |1. #5 #1 #2 e ||--------|--------------------|--------------------------| B ||--------|--------------------|--------------------------| G ||--------|--------------------|--------------------------| D ||--------|--------------------|--------------------------| A ||--------|--------------------|--------------------------| E ||--11\7--|--7---7---7-7-7--7--|--7/9---9---9---9-9-9--9--| ..._______ | #3 #4 e |--------------------------------|------------------------------|| B |--------------------------------|------------------------------|| G |--------------------------------|------------------------------|| D |--------------------------------|------------------------------|| A |--------------------------------|------------------------------|| E |--9/11--11---11---11-11-11--11--|--11--11---11---11-11-11--11--|| The intro starts out with the above... start with #1 and include #5 when you repeat. The second time around, however, is a strumming pattern. It's essentially the same notes, and everything else muted (though you still want to hear the "muted" notes). When strumming, you might even want to try something like: e |--------------------| B |--------------------| G |--------------------| D |--9---9---9-9-9--9--| A |--9---9---9-9-9--9--| E |--7---7---7-7-7--7--| and just shift the shape up the neck. Sometimes I like to add a few down- strokes where there are pauses between the first and second strokes, and the second and third strokes. Also, just before "Can you take it all away..." is a lick that goes some- thing like: e |----------------------|----------------------|----------------------| B |----------------------|----------------------|----------------------| G |----------------------|----------------------|----------------------| D |----------------------|----------------------|-------------------8--| A |-------9-8---8-8-8h9--|--6----9-8---8-8-8h9--|--8-6--9-8---8-8h9----| E |--9-7-----------------|----9-----------------|----------------------| This part is played twice; the second time around will connect to a progression which I have yet to figure out. (Hard to figure it out with a classical guitar.) Anyway, that's what I have for now... I'll make a few updates once I figure out more. -- Han Duong --
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