Artist: TRIUMPH | Title: magic power

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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.



#----------------------------------PLEASE NOTE----------------------------------#
# This file is the author's own work and represents their interpretation of the #
# song. You may only use this file for private study, scholarship, or research. #
#-------------------------------------------------------------------------------#

From uunet!paladin.american.edu!europa.asd.contel.com!darwin.sura.net!spool.mu.edu!news.nd.edu!stargate!jim Mon Dec 14 14:01:43 PST 1992
Article: 520 of rec.music.makers.guitar.tablature
Newsgroups: rec.music.makers.guitar.tablature
Path: nevada.edu!uunet!paladin.american.edu!europa.asd.contel.com!darwin.sura.net!spool.mu.edu!news.nd.edu!stargate!jim
From: jim@stargate.helios.nd.edu (Jim McCusker)
Subject: TAB: Triumph Magic Power
Message-ID: <1992Dec7.184619.17750@news.nd.edu>
Sender: news@news.nd.edu (USENET News System)
Organization: OUC, University of Notre Dame
Distribution: rec.music.makers.guitar.tablature 
Date: Mon, 7 Dec 1992 18:46:19 GMT
Lines: 52

Here's how I play 'Magic Power' as I believe Rick Emmett plays it,
I've only seen him play it once but I'm fairly sure that it is in
the correct key.   He LOVES to pick the heck out of the open D chord
as you will quickly see.


D

|-------0-2-----|-------3-3>2-----|-------0-2-----|-------0-2-----
|---3-------3---|---3-------------|---3-----------|---3-----------
|-----2-------2-|-----2-------3---|-----0-----3---|-----0-----3---
|-0-------------|-0---------------|---------------|---------------
|---------------|---------------2-|-3-----------0-|-2-----------0-
|---------------|-----------------|---------------|---------------


|-------3-3>2-----|-------0-2-----|-----3>2-----|-------0-2--
|---3---------3---|---3-------3---|---3-----3---|---3-------3
|-----0---------0-|-----0-------0-|-----------0-|-----2------
|-----------------|---------------|-------------|-0----------
|-2---------------|-3-------------|-3-----------|------------
|-----------------|---------------|-------------|------------


|-------0-2---|-------0-2---|-------0-2---|---------|---------
|---3-------3-|---3-------3-|---3-------3-|---3-----|---3-----
|-----0-------|-----0-------|-----0-------|-----0---|-----0---
|-------------|-------------|-------------|-------0-|-------0-
|-3-----------|-2-----------|-2-----------|---------|---------
|-------------|-------------|-------------|-3-------|-2-------

|-----0-----|-----0-----|-----0-----|---
|-------3---|-------3---|-------3---|---
|---0-----0-|---0-----0-|---0-----0-|---
|-----------|-----------|-----------|---
|-----------|-----------|-----------|-0-
|-0---------|-2---------|-3---------|---



    D C B C  (x2)

    E F# G A

    E F# A


     There's more to it, I just didn't have the time to write it down,
let me know if you want the rest of it!

            -- Jim    (jim@stargate.ece.nd.edu)





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