Artist: DEATH | Title: see through dreams
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# From: primoz.renko@uni-lj.si Date: Wed, 30 Aug 1995 20:24:44 +0100 Subject: see through dreams DEATH: SEE THROUGH DREAMS ( HUMAN ) tabbed by PRIMOZ RENKO Faculty of social sciences in Ljubljana sLOVEnija Europe Legend palm mute= . . . ... vibrato = ~ for any comment my e-mail is: primoz.renko@uni-lj.si riff: 1 ||------------------------------------------------------|| ||------------------------------------------------------|| ||------------------------------------------------------|| ||------------------------------------------------------|| ||---------------------4-7-7--------------7-8-8-5-6-6-3-|| ||-000000000000000000004-5-5333333333333335-6-6-3-4-4-1-|| .................... .............. riff: 2 ||-------------------------------------------------------------------------| ||-------------------------------------------------------------------------| ||-------------------------------------------------------------------------| ||-------------------------------------------------------------------------| ||---4-5---5-4---4-5---5-4-6-5---4-5---6-5---4-5-----4-5---5-4---4-5---5-4-| ||-3-----3-----3-----3---------3-----3-----3-------3-----3-----3-----3-----| ||----------------------|------------------------------------------| ||----------------------|------------------------------------------| ||----------------------|------------------------------------------| ||----------------------|------------------------------------------| ||-6-5---4-5---6-5---4-5|---444555---555444---444555---555444666555| ||-----3-----3-----3----|333------333------333------333------------| .......................................... |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |---444555---666555---444555---555444---444555---555444666555| |333------333------333------333------333------333------------| ............................................................. |---------------------------|| |---------------------------|| |---------------------------|| |---------------------------|| |---444555---666555---444555|| |333------333------333------|| ............................ riff: 3 ||-----------------------------------------|| ||-----------------------------------------|| ||-----------------------------------------|| ||-5---6-5---------------------------------|| ||-3-------6--6---7-6----------------------|| ||------------4-------7--000000000044444444|| .................. riff: 4 ||---------------------|-----------------------------------------| ||---------------------|-----------------------------------------| ||---------------------|-----------------------------------------| ||-5---6-5-------------|--------------------------3--------------| ||-3-------6--6---7-6--|------------~-----------~-1-------------~| ||------------4-------7|-00000000003-00000000003-0---00000000003 | .......... .......... . .......... |----------------|| |----------------|| |----------------|| |----------------|| |------------23--|| |000000000034---3|| .......... after solo riff: 5 ||------------------------------------------------------------------|| ||------------------------------------------------------------------|| ||------------------------------------------------------------------|| ||-------------------4---3---------------------------4---3----------|| ||-------------------2---1---2---3---4---5---4---3---2---1---3------|| ||-0-3-0-4-0-3-0-2-0---0---0-0-0-1-0-2-0-3-0-2-0-1-0---0---0-1------|| . . . . . . . . . . . . . . . . . . . riff: 6 ||--------------------------------------------------------------|| ||--------------------------------------------------------------|| ||--------------------------------------------------------------|| ||--------------------------------------------------------------|| ||-------------------2---1-----------------------2---1----------|| ||-0-3-0-4-0-3-0-2-0---0---0-1-0-2-0-3-0-2-0-1-0---0---0-1------|| . . . . . . . . . . . . . . . . . . . . . . . . . . . . Song structure: riff1 :: 4 X riff2 riff3 :: 3 X riff4 :: 3 X solo riff5 :: 3 X riff6 riff1 :: 4 X riff2 riff3 :: 3 X riff4 :: 5 X U KNOW SO MUCH ABOUT NOTHING AT ALL ( THE PHILO. )
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