Artist: HAMMILL PETER | Title: lost and found
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# LOST AND FOUND Em | D | C6 | Em Em Even the wolf can learn, D even the sheep can turn, C6 Em even the frog bcome at last the prince Em No more imagined insults D and no more bloated pride - C6 I'll see you at the wedding, Bm A G I'll see you on the o- ther side Em and I'll hold my peace forever D but I'll hold my passion more... Bm A G I'll be hol- ding the door Em and waiting for the princess - D I could say I'm waiting for the world, C6 but when it comes right down to it Bm A G I'm simply wai-ting for the girl. Em On through the ring of changes D I'll be at my side in a single bound, Bm A G lost and found G A Bm A G looking to be lost and found. G A Bm A G looking to be lost and found. G A Bm A G I'll to be lost and found. G A Bm A G I'll to be lost and found. G A A E B D A La Rossa extends her hands - in the morning light the stigmata don't show E B D A She's up already, making plans; she thinks it's maybe time he ought to go E B D A And she's friendly like it's a service but she's ringing around his head - E B though he knows she has no further use for him D A still he feels like he's raised from the dead. E B D A Out to the cold grey daylight, never ever wondering, of course, E B if one moment of perfect passion D A is worth a lifetime of remorse. The guitar "solo" (would you consider a two-notes line as solo?) is played through the same chords sequence, here it is, with durations in beats: A (6 beats) E (2 beats) | B (6 beats) D (2 beats) Em So it's no more empty promises D and no more idle threats; C6 Bm A G no more 'if only's' and no more 'and yet's'; Em no more wishes for the future D no more denials of the past; Bm A G I'm free at last (A) Bm A G I'm in love at last (A) Bm A G I'm lost and found The chord sequence continues as the voices faid: Bm (4 beats) A (4 beats) | G (7 beats) A (1 beat) ...put on your red dress, baby... ...cos we're going out, tonight... ...put on your high heeled slippers... ...everything's gonna be alright?
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