Artist: GLASS JAW | Title: babe
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Artist - GlassJAw Song - Babe Album - Everything You Ever Wanted To Know About Silence Tuning - EADGBE Tabbed by David Diuguid (aka bmskate/DEFreak13) pm... = palm mute s = slide /\ = hammer on/off <> = harmonic Intro - Guitar 1 [distortion] |---------------------------------| |---------------------------------| |---------------------------------| |---------------------------------| really fast with tremolo picking |-2-2-2-2/3-3-3-3/6-6-6-6\5-5-5-5-| |-2-2-2-2/3-3-3-3/6-6-6-6\5-5-5-5-| Verse - Guitar 2 [distortion/compression] |-----------| |-----------| |-----------| |-----------| |-2---6---3-| |-0---4---1-| Verse - Guitar 1 [distortion] |------------------| |-------------6----| |----------------5-| |-2---3---3--------| |-1---3---2--------| |------------------| Fill - Guitar 2 [distortion/compression] |-------------------| |-------------------| |-------------------| |-3-3--3-3-3--3-6-6-| |-1-1--1-1-1--1-4-4-| |-1-1--1-1-1--1-4-4-| Chorus - Guitar 1 & 2 [distortion] |------------------------------| |------------------------------| |------------------------------| |------------------------------| |-8/7---8/7---8/7---8/7--------| |-6/5-0-6/5-0-6/5-0-6/5--0-0-0-| 2nd Chorus - Guitar 2 [distortion/compression] |-------|-----------------------------|-<5>---------|2nd guitarist does this |-------|-----------------------------|-----<5>-----|repeatedly in 2nd pre- |-------|-----------------------------|---------<5>-|chorus very fast |-------|-----------------------------|-------------| |-2-2-2-|-----------------------------|-------------| |-0-0-0-|-<5>-<5>-<5>-<5>-<5>-<5>-<5>-|-------------| Interlude - Guitar 2 [distortion/compression] |------------|------|------|---| |------------|------|------|-5-| While guitar 2 hits the 012 chord guitar |------------|------|------|---| 1 palm-mutes and scrapes the pick along |-2--2--2--2-|-6--5-|-5--4-|-2-| the strings really fast |-1--1--1--1-|-4--3-|-3--2-|-1-| |-0--0--0--0-|-4--3-|-3--2-|-0-| Here they still use the 012 chord but guitar 2 hits the chord one time for every 2 times guitar 1 hits it; it's awesome...it's like guitar 1: * * * * * * * guitar 2: * * * * near the end of this part, guitar 2 hits the 5th fret on g string a few times as shown above Ending - Both Guitars - [distortion/compression] |-----------------------------------------------------------------------| |--------------------------------------6-6-6-6-6-6-6-6------------------| |--------------------------------------9-9-9-9-9-9-9-9------------------| |-3-3-3-3-3-3-3-3-2---------------2--------------------2--2--2--2-----2-| |-1-1-1-1-1-1-1-1-2---------------2--------------------1--1--1--1-----1-| |-1-1-1-1-1-1-1-1-0-(pickscrapes)-0--------------------0--0--0--0-----0-| Any questions or comments contact me via e-mail at bmskate@hotmail.com or by Instant Messenger as DEFreak13
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