Artist: MISFITS | Title: american nightmare
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# Song: AMERICAN NIGHTMARE Artist: MISFITS Album: LEGACY OF BRUTALITY -------------------- Transcribed by Emil Ortenmark, kfemil@telia.com Standard tuning Comments: Three chord rockabilly punk from the Misfits greatest album. The half-step hammer-ons to E are varied a little during the song. Listen to find out where. I don't have the lyrics to this song and I won't even try to figure it out from the album so you'll have to manage without them. Key: / = slide up \ = slide down b = bend (whole step) b^ = bend (1/2 step) b^^ = bend (1 1/2 steps) pb = pre-bend r = release-bend t = tap with righthand finger h = hammer-on p = pull-off ~ = Vibrato * = Natural Harmonic #(#) = Trill x = Dead notes (no pitch) P.M. = Palm mute (- -> underneath indicates which notes) Tp = Tap w\plectrum Rhythm Fig. 1 G|----------------------------------------------------| D|----------------------------------------------------| A|--6h-7--7--7--7--7--7--7---6h-7--7--7--7--7--7--7---| E|----------------------------------------------------| Rhythm Fig. 2 G|----------------------------------------------------| D|----------------------------------------------------| A|----------------------------------------------------| E|--5----5----5----5-----4h-5--5--5--5--5--5--5-------| Rhythm Fig. 3 G|----------------------------------------------------| D|----------------------------------------------------| A|----------------------------------------------------| E|--7----7--7--7--7--7--7---7--7--7--7--9----7--------| Rhythm Fig. 4 G|----------------------------------------------------| D|----------------------------------------------------| A|----------------------------------------------------| E|--7----7--7--7--7--7--7--7--7--7--7--7--7--7--7-----| Rhythm Fig. 5 G|----------------------------------------------------| D|----------------------------------------------------| A|--6h-7--7--7--6h-7--7-----6h-7--7--7--7--7--7--7----| E|----------------------------------------------------| Rhythm Fig. 6 G|----------------------------------------------------| D|--7----7--7--7--7--7--7--6h-7--7--7--7--7--7--7-----| A|----------------------------------------------------| E|----------------------------------------------------| [Guitar intro] [Rhy. Fig 1] (4x) [Rhy. Fig 2] [Rhy. Fig 1] [Rhy. Fig 3] [Rhy. Fig 1] [Rhy. Fig 1] (3x) [Rhy. Fig 2] [Rhy. Fig 1] [Rhy. Fig 3] [Rhy. Fig 1] [Rhy. Fig 4] [Rhy. Fig 5] [Rhy. Fig 4] [Rhy. Fig 1] [Rhy. Fig 6] [Rhy. Fig 1] [Rhy. Fig 3] [Rhy. Fig 5] [Rhy. Fig 4] [Rhy. Fig 5] [Rhy. Fig 4] [Rhy. Fig 1] [Rhy. Fig 2] [Rhy. Fig 1] [Rhy. Fig 3] [Rhy. Fig 1] [Rhy. Fig 3] [Rhy. Fig 1] (2x)
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