Artist: OCONNOR HAZEL | Title: will you
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Tablature is mostly (but not exclusively) seen for reticulate stringed instruments, in which environment it is commonly titled journalism for brief (except for lute tablature).
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
It is ofttimes utilised for the guitar, bass, lute, archlute, theorbo, angélique, mandora, gallichon, and vihuela, but in generalisation it crapper be utilised for some reticulate instrument, including ukulele, mandolin, banjo, and viola da gamba, as substantially as some liberated wood aerophones much as the harmonica.
#----------------------------------PLEASE NOTE----------------------------------# # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # #-------------------------------------------------------------------------------# From: tim@groovcat.demon.co.uk (Tim Norris)@groovcat.demon.co.uk (Tim Norris) Subject: CRD: Will You - Hazel O'Connor From the movie 'Breaking Glass', a UK hit in 1981 and one of the most honest and genuinely touching 'oh, go on, give us a shag' songs ever written. Or something. -------------------------------------------------------- Will You? Hazel O'Connor Intro: Dm | Dm | Dm | Dm | (arpeggio) Dm F You drink your coffee, Bb C While I sip my tea, Dm F And we're sitting here, playing so cool, Bb A Thinking, 'What will be, will be.' F C And it's getting kind of late now, Dm A Oh, I wonder if you'll stay now, A Stay now, stay now, stay now, Dm F G Dm A Or will you just politely say 'Goodnight'? Dm F I move a little closer to you, Bb C Not knowing quite what to do and I'm Dm F Feeling all fingers and thumbs, Bb A I spill my tea, oh silly me, F C But it's getting kind of late now, Dm A Oh, I wonder if you'll stay now, A Stay now, stay now, stay now, Dm F G Dm A Or will you just politely say 'Goodnight'? F C And then we touch, much too much, Dm A This moment has been waiting for a long, long time, F It makes me shiver, C Makes me quiver, Dm This moment I am so unsure, C This moment I have waited for, Bb Well is it something you've been waiting for, A Waiting for too? Dm Take off your eyes, F Bare your soul, Bb C Gather me to you and make me whole, Dm Tell me your secrets, F Sing me the song, Bb A Sing it to me in the silent dawn. F C But it's getting kind of late now, Dm A Oh, I wonder if you'll stay now, A Stay now, stay now, stay now, Dm F G Dm Or will you just politely say 'Goodnight'? Dm | A | Dm | F | G | Dm | A | Dm the instrumental sort of dies and then there's this flam drum break thing and it all sets off with a thoroughly sexy alto sax solo (played by Wesley McGoogan) which follows the verse/chorus pattern above. Probably.
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